Jenny Lewis Quotes
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My parents divorced when I was 3 years old. They had a lounge act in Las Vegas, where I was born. The band broke up and the marriage dissolved, and my mother, my sister and I moved to Southern California. And I didn't see my dad a lot growing up; he was on the road a lot. I'd see him every couple years.
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Sometimes things feel hopeless. Not always within my own life - but looking outward, it seems like rough times lie ahead of us. The world seems to be kind of caving in on itself in a lot of ways. But I try to look on the bright side.
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I was a big fan of 'Days of Our Lives' growing up.
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Certainly, we all wonder what is beyond, and when you lose a loved one, I think part of the grieving process includes where that person might have gone or if you'll ever see them again. I think it forces you to look up to the sky, to the cosmos.
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There's always a bit of fiction in everything that I write.
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I'm not trying to repeat myself or cater myself to one specific group of people.
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After Rilo Kiley broke up and a few really intense personal things happened, I completely melted down. It nearly destroyed me. I had such severe insomnia that, at one point, I didn't sleep for five straight nights.
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Insomnia is a very prevalent issue. It's a women's health issue, and I chose to talk about it because so many people have experienced it to varying degrees. For me, I'm doing great now, but it took a lot of work to figure out how to get back to sleep. I had to change some of my habits. I developed some pretty bad sleep ritual habits.
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I come from a very uncool profession: being a washed up child actor.
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When I first started touring, we had a crappy van, and we would all share rooms. So for many years as a grown adult woman, I would share a bed with a bandmate, whether it would be Jimmy Tamborello from the Postal Service or Pierre De Reeder from Rilo Kiley, just a pillow barrier between us sleeping on the same bed.
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I'm more in the Stones camp than the Beatles camp.
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I had a huge Lisa Frank sticker collection. I traded them.
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I've always tried to get around writing love songs, I guess because I've always had a hard time saying, 'I love you.'
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When you make a solo record, it's you. It's your name. It has to be the right songs for how you feel.
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I think the idea of opening up for a massive band is always better than actually doing it, and having your name on the ticket means more than the actual set.
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Being in a band is a really magical thing because you've got a family and you operate as this one entity. It's very democratic; everyone is involved in the output. But within that, there can be a lot of disagreements and strife.
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When I was 18, I took a trip to Thailand with a friend. We stayed for a month. Bangkok was very raw for a teenager: there were no cellphones, no Internet, and the only music I had with me was this cassette by Liz Phair. I was writing a lot of poetry, and she embodied a talky style of songwriting that I found very accessible.
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I can parallel park pretty well - I'm a great driver.
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And you're not happy but you're funny and I'm tripping over my joy. I just keep on gettin up again.
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And sometimes when you're onYou're really fucking onAnd your friends they sing along And they love youBut the lows are so extremeThat the good seems fucking cheapAnd it teases you for weeks in its absence
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I find most modern country virtually unlistenable. I can't relate to the music or the lyrics.
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Sometimes people come to my shows and think I'm a Christian artist, and they put their hands up in the air, like they do. But first of all, I'm a Jewish girl from the Valley, and I'm from Los Angeles. It's funny to be misinterpreted.
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I grew up on Loretta Lynn and Dusty Springfield. I remember lying about it; it wasn't cool to listen to country when I was 12.
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I never intended to set out and be a singer-songwriter. I just sort of became one because I put out my own record.