Jenny Lewis Quotes
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And you're not happy but you're funny and I'm tripping over my joy. I just keep on gettin up again.
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I don't feel unlucky in love anymore, and it's not all emo. It's a scary place to be in when you're like: 'What am I supposed to write about now? I don't feel heartbroken, so now what?'
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I am in a constant cycle of selling my clothes at Wasteland and buying from Goodwill. Once or twice a year, I go through my closet and donate everything to Goodwill. It feels like I am recycling my fashion.
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And sometimes when you're onYou're really fucking onAnd your friends they sing along And they love youBut the lows are so extremeThat the good seems fucking cheapAnd it teases you for weeks in its absence
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I demo all of my songs on Garage Band, where I pretty much play everything - not very well, but I manage to hammer out a drum beat and a bass idea.
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I grew up on Loretta Lynn and Dusty Springfield. I remember lying about it; it wasn't cool to listen to country when I was 12.
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For me personally, I just try to prove myself in my work. I'm just trying to get better at what I do, and hopefully that will impact women in music, and hopefully the girls in the crowd will see my up there as a bandleader and think, 'Wow, maybe I can do that one day.'
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My mother had a great vinyl collection, and she was constantly playing female singer-songwriters. I first learned about classic song structures by listening to them, and Laura Nyro particularly stood out. Her voice was outside what you'd usually hear on the radio; that really appealed to me.
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I've gone through terrible periods of depression. But, at the core of my being, there's a strange, out-of-place optimist. Despite what I'm feeling, I'm always able to get up and do my job. Which means the world to me.
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When you're talking about your own music every day, listening to bands, going to festivals, you can kind of lose sight of your initial connection with music. Instrumental music - especially jazz - helps me refocus.
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I have a great work ethic - from watching Lucille Ball, not necessarily my own family.
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Songs are really interesting in that way. Sometimes, they grow with you. Sometimes, you outgrow them.
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If you're a songwriter, you have to do homework. You can exist for a while on the inspiration, but at some point, you have to sit down and have the discipline to write - to finish the poem, as they say.
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I am a child of digital generation. I have done most of the records with Rilo Kiley on computers, on Pro Tools or other digital programs.
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I would never say anything's over forever. How could you possibly know how you feel? How could you shut the door on anything?
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I think regardless of where people are from, country music is a through line.
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I think Chris Martin is younger than I am, but when I met him, I felt like I was talking to my father. It's so strange, that feeling when someone is that famous - you assume that they are either older or better.
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The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.
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It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
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I've always just had sort of a dark take on life, I suppose, and hopefully, the music transcends that in a way.
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That is the true joy of being a solo artist. I can do whatever I want. I can go wherever I want. I can show up with my guitar and my song, and it can sound a hundred different ways. That's the freedom of being on your own. The flipside is: That's you on the cover. If it sucks, it's your fault.
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I'm a huge reggae fan. I want to go to Jamaica and make, like, Bob Marley 'One Love' positive songs. That's what the world needs.
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When I'm not working is when I tend to freak out a bit. It's hard for me to just stay home.
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I didn't know anything about music when I started a band. I barely knew how to play a guitar. I didn't know how to produce records. I learned how to play bass guitar and keyboards in Rilo Kiley. I picked up a lot from my collaborators.