Jenny Lewis Quotes
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As hard as I try to sound tough and dark, I still sound cute.
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It really helps me to get into the character of the record when I have a designated look. It just really simplifies things for me.
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I think art doesn't have to be created in a period of misery, but it certainly helps.
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I do this thing where I think I'm real sick but I won't go to the doctor to find out about it cause they make you stay real still in a real small space as they chart up your insides and put them on display. They'd see all of it, all of me, all of it; All the good that won't come out of me...
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In your mid-30s, you have to take inventory, or you'll stumble.
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You wouldn't want to be in a rock band - trust me.
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The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.
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My mother's records were formative for me, but when I became a teenager, I wanted to find songs that she wasn't hip to. She was so hip, though, that I had to go outside rock n' roll - so for about 10 years, I only listened to hip-hop, house and techno.
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I'm an American songwriter, and I write from a very American perspective, and so did the records I grew up listening to.
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I've gone through terrible periods of depression. But, at the core of my being, there's a strange, out-of-place optimist. Despite what I'm feeling, I'm always able to get up and do my job. Which means the world to me.
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It would be nice to create something that's healing rather than slightly creepy and darkly judgmental!
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I'm not always as disciplined as I should be. I don't sit down and write every day, but I should.
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The best shows I play, I almost don't even remember off the stage.
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When I'm sick of myself, and when I don't know what to say as a solo artist, I can write a song for a movie. When I don't know where to turn musically, being in a band - Rilo Kiley or Jenny & Johnny - the collaborative nature is really exciting.
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I write music, really, to make myself feel better.
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I have that working-class show-business blood coursing through my veins.
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I'm constantly dodging people in L.A. There are some people I don't ever wanna see again, but if you live where you grew up, you're running into people constantly.
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In the past, like for the last Rilo Kiley record, 'Under the Blacklight,' I wore exclusively hot pants because the themes in that record were the underbelly of Los Angeles.
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When I was a teenager, I went to Europe on a backpacking trip by myself, and I met a woman who was following Sebadoh. It was the early 1990s, and that was my introduction to indie rock.
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When I sit down to write a song, there is no filter. I'm not trying to write for anyone or anything specifically. It's just trying to capture a little piece of your soul - even if it's a really ugly part.
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I don't write songs, play music and tour, really, for anyone else but myself. It's something that I have to do to stay alive.
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I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.'
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I've always felt lonely, even if I'm in a great relationship or surrounded by my friends and family.
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Some shows suck, but I always - the show must go on. I learned it from my past as a child actor. The show must go on. You have to just keep on with it.