Marissa Moss Quotes
Ages ago, when I published 'Amelia's Notebook,' I'd sent it to traditional publishers I'd been working with, but nobody knew what to do with it. Tricycle was this small publisher who didn't know any better, and they took a chance.
Quotes to Explore
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I like the challenge of growing small companies into big global companies.
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I have a very small public.
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When you challenge other people's ideas of who or how you should be, they may try to diminish and disgrace you. It can happen in small ways in hidden places, or in big ways on a world stage. You can spend a lifetime resenting the tests, angry about the slights and the injustices. Or, you can rise above it.
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My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
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I went to the Experimental Theater Wing at NYU and wrote and directed a small amount of stuff there.
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There are grander and more sublime landscapes - to me. There are more compelling cultures. But what appeals to me about central Montana is that the combination of landscape and lifestyle is the most compelling I've seen on this earth. Small mountain ranges and open prairie, and different weather, different light, all within a 360-degree view.
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Aereo is the first potentially transformative technology that has the chance to give people access to broadcast television delivered over the Internet to any device, large or small, they desire. No wires, no new boxes or remotes, portable everywhere there's an Internet connection in the world - truly a revolutionary product.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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I was very energetic and very small. I didn't start growing until the last year of high school.
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I was brought up largely by my grandfather because my father only returned from a prisoner-of-war camp in 1947 and worked in the nearest small town, so I hardly ever saw him.
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The exercise of power is determined by thousands of interactions between the world of the powerful and that of the powerless, all the more so because these worlds are never divided by a sharp line: everyone has a small part of himself in both.
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I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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It was about 2012, 2013. I started from zero. Small fashion shows, small photoshoots. I've seen a lot. I've seen a lot of things up close. I married my sister off; I gave jahez for her wedding. I tried to keep relations going with my family. I bought a house for them in Multan. My parents are settled in Multan; my house is there.
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I have a small family, but they are all still in Perth, and I am still very close with my high-school friends.
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When I returned to the United States after three years of World War II service, my total assets consisted of one wife, one small daughter, $276 in the bank, and an idea. The idea was for an export business to supply items badly needed everywhere in Europe.
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I didn't take theater or anything. We didn't have a very good theater program. It was in western Utah - was a really small school. It wasn't developed. We didn't have the funds to do anything like that, but I did act all through high school in films because Disney Channel would shoot movies out there.
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I carry a small spiral notebook with me at all times and have been doing this for many years. There's a shoe box in my closet filled with these notebooks, each riddled with notes and impressions, ideas, schemes, and soup recipes.
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I am not good at small talk. I will hide in a cupboard to avoid chitty-chat.
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In my belief, a harvest is also a legacy, for very often what you reap is, in the way of small miracles, more than you consciously know you have sown.
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The set for 'Blade Runner' was maybe the hardest set I've ever worked on because I think we worked 50 nights in a row, and it was always raining.
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People watch me, waiting for me to slip up, so my privacy has gone - but that's a price you pay.
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Ages ago, when I published 'Amelia's Notebook,' I'd sent it to traditional publishers I'd been working with, but nobody knew what to do with it. Tricycle was this small publisher who didn't know any better, and they took a chance.
