Marjorie Liu Quotes
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I don't want to give people the wrong advice to follow their dreams no matter what, because it's not fun to be a starving artist. But on the other hand, life is short, and if you are burning with a passion to do something, then do it. Work hard, study hard at it, and don't give up.
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Because there are almost no men in 'Monstress,' we're focused completely on women. It's removed from traditional structures.
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The greatest enemy one ever faces is one's own self.
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It's very scary to become someone new, to take that path less followed.
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Comics writing is for your artist. It's not for the general reader; it's for the artist. So I love writing scripts for artists.
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We've been conditioned to be incredibly avoidant. 'I'm afraid I'll be called a racist if I say something wrong,' is the familiar retort. Well, okay, that's scary and difficult, but staying silent, avoiding the issue, doesn't mean that racism goes away.
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Most of the female 'superhero' role models of my childhood came from novels, and they rarely had powers. Take Dorothy, for example, from 'The Wizard of Oz;' or Laura Ingalls and her sisters in the 'Little House on the Prairie' novels.
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In my solo series, I feel like I've often dealt with groups of people.
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There are many different ways to express intimacy - a look, a touch - and I think it enriches the characters and stories when you create those moments and then build on them.
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I don't think of myself as having any freedom when it comes to how 'Monstress' is structured and how the story is going because a comic book has to be even more tightly structured than a novel, because there is no room for mistakes. Once the art is done, the art is done.
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I didn't know how to write comics. I had to teach myself.
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When I'm writing comics, I'm also visualizing how the story will look on the page - not even always art-wise, but panel-wise, like how a moment will be enhanced dramatically by simply turning a page and getting a reveal. It requires thinking about story in a way I never had to consider when I was writing prose.
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Word of mouth is the saving grace of us all. If you love something and you think your friend will love it, just talk about it.
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At his heart, Gambit is a good man who believes in taking care of his friends, and his friends are what's most important to him. People are his home. He will do anything for those who matter to him.
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I feel like the character of Han Solo is irreverent. A very serious, precious story about Han Solo would not be that enjoyable.
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It's great we have a female Thor. It's great we have a black Captain America. But those are just optics; it's optics of change... Unless you have the structural diversity, the structural change behind the scenes - more women, more people of color actually calling the shots and editing these books - those optics won't last.
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As a writer, I find that a good way of evolving a character is through an examination of his or her defining relationships - and what's more defining than a relationship with someone you love?
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I had never been a comic book person before, really, because I had no access to them. Once I had access, I thought that these are just another avenue for telling stories and delving into the imagination.
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Every single girl, whether we want to recognize it or not, is a warrior.
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As women, we have to deal with constant threats of violence. And it's in our media and fiction, too. So we internalize it.
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Take 'Ex Machina.' Everyone said it was one of the great feminist works of science fiction. But what I found disappointing is that everything about the main female character is defined by men.
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Muscles are fleeting. Bodies give out. But integrity, honor? The confidence to be oneself, to follow one's heart? The compassionate drive to help others, even at great risk? That's strength.
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We all know that I love writing Gambit.
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I love writing novels, but there is something deeply invigorating about the comic-book medium.