Marjorie Liu Quotes
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I was going to be a lawyer, and I had studied hard, but then it suddenly occurred to me in a very deep, profound way that I didn't want to keep practicing law for the rest of my life.
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I'd like to go back in time and haunt Robert Louis Stevenson during his years in the South Pacific.
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Every single girl in the world has had to fight to have herself heard, to have space, and to have a self in societies that try their best to deny them all three.
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To all the young kids of color - and not so young - people who want to use their voices, who are thinking, 'This seems difficult because I don't see myself out there,' I tell you, you must be persistent because we need you. We need you so, so badly.
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Sana Takeda is a genius. It's really that simple. Her vision and sense of story and beauty is beyond compare. I loved working with her on 'X-23.' I knew, though, that she could do much more beyond the constraints of a traditional superhero story.
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If you tell people what everything is before they have a chance to experience it, then I feel like it's a much different experience.
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A novel is 400 pages; it's an endurance race. There's no artist, so I have to describe everything. It's all prose. Whereas with comics, I can rely on the artist. It's really wonderful to have that collaboration and to not always feel the burden of describing everything myself and also just to have someone who can paint the world.
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Part of the reason why my folks - why any immigrant family - wants their kids to go into law or medicine is because there's the promise of reliable work. That's a powerful idea that got hammered into my head growing up: Be this thing, or else you'll starve.
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Superheroes are the best of us. Never mind all those powers or the crazy costumes. The heart of a superhero is meant to inspire.
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Freedom to tell any story I want, with all the imaginary tools of my trade, is why I love writing novels. I love taking an idea, fleshing it out into a new world - and going on adventures with characters who day-dream themselves into existence and take on lives of their own.
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'Monstress' has been hard because I want to keep writing longer, but I can't.
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If men disappeared tomorrow, we'd still be having the abortion debate. If men disappeared tomorrow, there would still be racism and conflicts over religion.
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I love writing comics too much.
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People either fall into two camps, where they're pro-fanfic, or they're anti-fanfic. I would not have had the skills to write and publish my first novel if I hadn't been writing fanfic.
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A dark, fantastic adventure set in an alternate 1900s Asia, 'Monstress' is buried deep in the supernatural. It's a story I've wanted to tell for a long time - it just took me awhile to put all the pieces together.
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I was always into fantasy characters, stories of magic, but after Red Sonja, I became obsessed with the persona, the image, of the warrior woman - the sword-wielding, defiant, fearless woman.
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The thing about Gambit is that he's a man who knows how to adapt to survive. He plays things by ear, depending on the situation, and never feels obligated to follow the rules, because the only rules that matter are his own sense of honor. Ultimately, that sense of honor includes 'doing no harm' - at least, not to the innocent.
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Marriage isn't the end-point of a relationship. It's just a stepping stone, one aspect of a long-term evolution between two people who have, for whatever reason, decided to take a leap of faith and say, 'Well, hey, this is a person who I want to try with for the rest of my life.' Which is not a guarantee of perfection - far from it.
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I love writing romance, along with science fiction and fantasy - and my books usually meld all three to some degree.
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We're not accustomed to giving women the space to express the full range of emotions and flaws that men are permitted. Anger and aggressiveness aren't part of the scale of what is acceptable behavior in women, whereas men - in reality and in fiction - are allowed a much fuller range of emotion.
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As creators and as readers, we need to always be pushing it - by looking for the books, looking for the artists and people and stories to support what we feel to be a better representation of all women. Of real women.
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I don't think X-23's past is the most interesting thing about her, but it's not like she can escape it, either.
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We imagine 'the end' as a world-devastating event, but every time there's a terrible earthquake, a tsunami, an outbreak of disease - that's apocalyptic, on a micro-scale.
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I think that comic books have appealed to female readers for years.