Chelsea Lankes Quotes
It's never been easy for me to express how I feel in situations where I know I have something to lose.
Quotes to Explore
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There's no mystery any more. So my instinct is to show very little, because there's much too much information about everyone, everywhere right now. Reality TV is an example of that.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I know how ridiculous this sounds because of the job I do but I don't believe in romanticism and make-believe.
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Instead of getting angry at somebody for opposing you on something, you're just praying for them. You just pray blessings on them, blessings on their family.
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On the weekends, I do the usual parental things, going to the boys' football tournaments or getting out for a hike along the Great Wall.
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I hate chilling. I hate even the notion of chilling. I like doing stuff.
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I am a bit sickie happy. I am prone to black clouds too, but... I am embarrassed about them. It's like: 'My diamond shoes are too tight. My money clip doesn't fit all my fifties.' I mean - really. Shut up.
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It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.
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Books can capture injustices in a way that stays with you and makes you want to do something about them. That's why they are so powerful.
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It's difficult to find a movie that feels true to itself. You feel the hand of Hollywood, the moviemaking by committee, on everything.
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I burn very easily, so if I forget sunscreen, I will be a tomato by the end of the day. I'm very big on sunscreen and hats. I grew up in Florida, and I love the beach, and I think it's healthy to get a little bit of color.
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What you really want for yourself is always trying to break through, just as a cooling breeze flows through an open window on a hot day. Your part is to open the windows of your mind.
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There had so lately been a large force of Spanish cavalry at the village, which had made a great impression on the minds of the young men, as to their power, consequence, which my appearance with 20 infantry was by no means calculated to remove.
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As important as it is for the producers to pay more attention to the female roles, it's more important for us to take control over this situation and define who we are. Because if they just give us the parts, it's their point of view of who we are. What's important is that we define who we are and don't wait for the men to give us the roles.
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Don't laugh at a youth for his affectations; he is only trying on one face after another to find his own.
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Lysistrata: O women, if we would compel the men to bow to Peace, ... We must refrain from every depth of love.... Why do you turn your backs? Where are you going? Why do you bite your lips and shake your heads? Why are your faces blanched? Why do you weep? (tr. Lindsay 1925, Perseus)
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We've got people, our friends and neighbors, who are losing their jobs, factories being closed. We have to get America moving again.
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Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.
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Firestarter' was a risk, we had never done a fully vocal track before and Keith had never sung before. It was hardly the safe option. We could have turned out the same old tunes over and over again, but that's not what The Prodigy are about. We are about taking risks.
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I'm horrible at auditions anyway. Maybe that's why I never got anything.
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You have to fight for the soul of your people, you have to fight for the souls of millions of people on both sides, to overcome the legacy of this struggle [between Palestine and Israel] and create a readiness for peace.
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There was nothing more dangerous than people convinced of their own good intentions.
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Res est solliciti plena timoris amor.
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It's never been easy for me to express how I feel in situations where I know I have something to lose.
