Chen Shui-bian Quotes
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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I'm always on the phone because I'm usually not with the people I want to be with.
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Readers want to see, hear, feel, smell the action of your story, even if that action is just two people having a quiet conversation.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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I take a lot of pride in my live show and put more energy there than I do in the studio.
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The truth is - I found myself doing these huge action-adventure movies, and um, and which are cool man. And I really love doing them. And thankfully I haven't had too much dialogue, because if I had I would have really made a mess of it. You know what I mean?
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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Banking gives you a glimpse into what makes companies succeed and what makes companies fail.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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Strivers achieve what dreamers believe.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
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I would describe my look as 'ladylike rock chick.'
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What you wear onstage is a reflection of your artistry.
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Focus on your problem zones, your strength, your energy, your flexibility and all the rest. Maybe your chest is flabby or your hips or waist need toning. Also, you should change your program every thirty days. That's the key.
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Different people's houses smell like different weird things. God forbid someone should come and nail down what my house smells like. It'd probably be a litter box... sweaty socks... and burnt bacon. That probably is what it smells like.
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My instinct is to write under the cloak of an opaque historical setting.
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There is always more in one of Ramanujan's formulae than meets the eye, as anyone who sets to work to verify those which look the easiest will soon discover. In some the interest lies very deep, in others comparatively near the surface; but there is not one which is not curious and entertaining.
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I know that a Christmas tree farm in Pennsylvania is about the most random place for a country singer to come from, but I had an awesome childhood.
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When I was a child, kids used to make fun of me because I was blind. But I just became more curious, 'How can I climb this tree and get an apple for this girl?' That's what mattered to me.
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Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world.
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I think that's in my case everything I do takes so long because I don't have one direction. I'm just doing what I feel at the moment. It would probably be good, though, to have some direction.
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Even if one tree falls down it wouldn't affect the entire forest.
