Chen Shui-bian Quotes
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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I'm always on the phone because I'm usually not with the people I want to be with.
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Readers want to see, hear, feel, smell the action of your story, even if that action is just two people having a quiet conversation.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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I take a lot of pride in my live show and put more energy there than I do in the studio.
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The truth is - I found myself doing these huge action-adventure movies, and um, and which are cool man. And I really love doing them. And thankfully I haven't had too much dialogue, because if I had I would have really made a mess of it. You know what I mean?
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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Banking gives you a glimpse into what makes companies succeed and what makes companies fail.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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Strivers achieve what dreamers believe.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
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I would describe my look as 'ladylike rock chick.'
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What you wear onstage is a reflection of your artistry.
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Focus on your problem zones, your strength, your energy, your flexibility and all the rest. Maybe your chest is flabby or your hips or waist need toning. Also, you should change your program every thirty days. That's the key.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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Different people's houses smell like different weird things. God forbid someone should come and nail down what my house smells like. It'd probably be a litter box... sweaty socks... and burnt bacon. That probably is what it smells like.
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My instinct is to write under the cloak of an opaque historical setting.
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What is needed is the constant unmasking of ego's strategy.
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For over five years this man [Winston Churchill] has been chasing around Europe like a madman in search of something he could set on fire. Unfortunately he again and again finds hirelings who open the gates of their country to this international incendiary.
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You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
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I'm not one who learned the Koran through recitation as a child, but one thing that always stands out is that there's no compulsion in religion. You can't tell people how to believe. It is an individual's relationship with their creator, and human beings should not be in the business of trying to tell others how they should live their lives.
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Even if one tree falls down it wouldn't affect the entire forest.
