Cheri Bustos Quotes
Sitting around our kitchen table from a very early age on, we talked politics, and we talked policy. Never once can I ever remember my dad saying, 'Go away, this is an adult conversation.'
Quotes to Explore
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During one or two summers, as well as part-time during the school year, I worked for a small Canadian company which developed electrical instruments for military planes.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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A filmmaker can never be distant from his roots.
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I was passionate about soccer. I still am. Odd, though - playing soccer always made me much more anxious than playing tennis. On soccer days, I'd be out of bed by 6 in the morning, all nervous. But I was always calm when it was time for a tennis match. I still don't know why.
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Reverence is fatal to literature.
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It's tough when you have to be away. But I'm probably at home more than my dad was because he was working two or three jobs sometimes.
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I think R. Kelly's range is so vast and broad that in order to stimulate himself creatively as an artist, he has to step so, so far outside the box, or else he feels like he's not challenging himself.
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A good catchword can obscure analysis for fifty years.
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On the one hand, the rich look askance at our continuing poverty - on the other, they warn us against their own methods.
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With the greatest of respect, I have watched Apple from the day it started. I was publishing magazines about the Apple II before most people had ever heard what a personal computer was.
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You have to fight for your health and stay on top of it. Our bodies are meant to be healthy.
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I knew she was from Australia and I knew that is where she started but I didn't know if she was still popular there. I hope people understand we aren't making fun of Kylie.
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I just butcher a book. Everything I underline I assume is important to me.
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My mother helped me identify myself the way the world would identify me. Bloodlines didn't matter as much as how I would be perceived.
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That's what I've wanted to do my whole life, just act. When I was younger, I loved to entertain people. I always used to make up dance routines, do little plays. I love to perform, basically.
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When people get rich, they cut themselves off from the context that has earned them these riches - the context of the common men. They forget they are part of society.
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I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
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I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.
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I just follow the subjects I'm interested in.
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Everything happens for a reason - I'm a believer of that for sure.
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I'll keep going until I get to the point where I can't get out on stage.
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In order to play and write, it's unique - you either do one or the other.
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I also remember when I watched Henry: Portrait of a Serial Killer 1990 at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.
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Sitting around our kitchen table from a very early age on, we talked politics, and we talked policy. Never once can I ever remember my dad saying, 'Go away, this is an adult conversation.'
