Katie Taylor Quotes
Age is a chronological number. That's all. There is plenty of time for my life afterwards. I'm still a young woman.
Quotes to Explore
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I personally don't like to rehearse so much. I really sort of trust my instinct.
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I would love to have been around in the Keystone Studios days.
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All writers are the same - they forget a thousand good reviews and remember one bad one.
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I am very emotional. It took me many years to recover from the death of my father. Even when I was playing cricket, I wasn't happy. I would just sit and cry. I was very young. He was too young; he shouldn't have gone. Cricket is all right. We all play sport. Good and bad days come.
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I remember someone once said there is a practical aspect to my designs, and I remember thinking, 'That doesn't sound so creative,' but that is actually the truth. There is a practicality to it. I don't design just to design. There is a reason and, hopefully, an interesting reason behind it - that is where my creativity comes in.
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I played with Michy for Belgium. He is still young; he can finish and is very good. He just needs to adapt to English football, and he will. He is intelligent and a good player.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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It couldn't have happened anywhere but in little old New York.
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Each person is living for himself; his own happiness is all he can ever personally feel.
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I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines.
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Eurasia is home to most of the world's politically assertive and dynamic states.
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Some people think that if their opponent plays a beautiful game, it's okay to lose. I don't. You have to be merciless.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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I was very lucky: I started acting in this highly subsidized German theater world, so there was not so much job insecurity. We had great working conditions, long rehearsal times, well paid.
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I like doing my own stunts.
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I came to America to make it my home, and I did.
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Have I been wiretapped? Yes. But who they said wiretapped me was incorrect.
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I don't think people cry reading 'Midnight's Children,' but a lot of people seem to cry watching the movie.
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When I'm governor, we're not going to be silent like Bruce Rauner. Illinois will be a firewall against Donald Trump's destructive and bigoted agenda.
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I write about myself with the same pencil and in the same exercise book as about him. It is no longer I, but another whose life is just beginning.
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It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.
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I never think of an entire book at once. I always just start with a very small idea. In 'Holes,' I just began with the setting; a juvenile correctional facility located in the Texas desert. Then I slowly make up the story, and rewrite it several times, and each time I rewrite it, I get new ideas, and change the old ideas around.
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What it would have felt like to fall in love and have nothing holding you back from being completely free.
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Age is a chronological number. That's all. There is plenty of time for my life afterwards. I'm still a young woman.
