Madeleine Stowe Quotes
I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines.
Quotes to Explore
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I think that we are trying to put data communications, telecommunications and media communications together and be the No. 1 player there.
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Well, logos is science or reason, something that helps us to function practically and effectively in the world, and it must therefore be closely in tune and reflect accurately the realities of the world around us.
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There is a serious tendency toward capitalism among the well-to-do peasants.
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One thing about playing the real jazz is that you can't count it.
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I think poetry is a fabulous medium to encapsulate thoughts far more precisely than prose.
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He who binds his soul to knowledge, steals the key of heaven.
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I'm not courting labor. I come from a labor background. To me, it's just intuitive.
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The real challenge that we face in our communications with others is to condition our hearts to have Christlike feelings for all of Heavenly Father's children. When we develop this concern for the condition of others, we then will communicate with them as the Savior would.
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I still do the same things, but it's nice. If people recognize you, generally everyone's very respectful, very lovely, but I wonder what it's like for real celebrities.
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Saddam Hussein has been engaged in the development of weapons of mass destruction technology which is a threat to countries in the region and he has made a mockery of the weapons inspection process.
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I am just a plain Jew; I mean have no training.
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Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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There's no such thing as work-life balance. There are work-life choices, and you make them, and they have consequences.
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Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill – but also learned when a crowd's laughter is meaningful.
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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I fell in love with acting at around the age of 11, when I was drafted in to play a fairy at an amateur production of 'Midsummer Night's Dream.'
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I like to see the difference between good and evil as kind of like the foul line at a baseball game. It's very thin, it's made of something very flimsy like lime, and if you cross it, it really starts to blur where fair becomes foul and foul becomes fair.
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High-stakes lying is out of control. And it's costing us big bucks in one way or another. It's not simply a matter of quantifying losses in dollars. It's costing us emotionally and psychologically as well.
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I started off wanting very much to be a newscaster.
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Each and every Notary Public plays a crucial role in combating identity theft. They serve as our front line of defense and the public is safer because of the job they do.
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I have to tell you that June Cleaver had a job in 'The New Leave It to Beaver.' She did. Sure, she was a council woman. She went to work. She wasn't a sit-at-home grandma. She went out, got a job.
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I've never been obsessed by how I looked. In fact, I would rather have looked more ordinary so I could play more parts more truthfully.
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Whoever invented spray cheese had to have been a Harvard guy.
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I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines.
