Katori Hall Quotes
I started writing because I got so frustrated that there weren't enough plays that had roles for young black women in them.
Quotes to Explore
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We believe it is comprehensive international sanctions against the white regime that will save us from the slaughter of hundreds of thousands of South Africans, black and white.
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After marriage, most women keep aside their aspirations and dreams as their priorities change.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!
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I want to encourage women to take control of their health.
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I'm the youngest of five girls, and I don't know about you, but it's really hard to be heard when you have five women. I've always been this loud and over the top as a person because I just want to be heard.
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One cannot understand what's happening to women in the Middle East if they don't realize that the mothers are a strong, progressive force. The mothers push the daughters to get out of the harem, to get the education, to achieve what they could not even dream of.
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It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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I was always more interested in my books and my writing than going out. It's OK to say I'm a nerd. That's me.
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Writing is agony. I hate it.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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The women putting their lives at risk for our country deserve better than to be treated as second-class citizens.
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I worry that people think you have to go to a university to be a good writer, which is categorically untrue. I don't think I learned how to write at Oxford. I did not go to any creative writing classes or anything.
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We've got to get back to old-fashioned politics that's in touch with the people we seek to represent and to avoid self-inflicted wounds.
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Sometimes one can be so closely involved with things that the larger context is lost to view.
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When spirituality is the basis of your life, it gives you the strength, wisdom and courage to surmount the many storms of life that could destroy a weaker person who doesn't have this foundation.
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With things like Facebook, it's really easy to think that you know someone that you really don't.
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I started writing because I got so frustrated that there weren't enough plays that had roles for young black women in them.
