Katori Hall Quotes
I started writing because I got so frustrated that there weren't enough plays that had roles for young black women in them.
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Quotes to Explore
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We believe it is comprehensive international sanctions against the white regime that will save us from the slaughter of hundreds of thousands of South Africans, black and white.
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After marriage, most women keep aside their aspirations and dreams as their priorities change.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!
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I want to encourage women to take control of their health.
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I'm the youngest of five girls, and I don't know about you, but it's really hard to be heard when you have five women. I've always been this loud and over the top as a person because I just want to be heard.
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One cannot understand what's happening to women in the Middle East if they don't realize that the mothers are a strong, progressive force. The mothers push the daughters to get out of the harem, to get the education, to achieve what they could not even dream of.
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It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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I was always more interested in my books and my writing than going out. It's OK to say I'm a nerd. That's me.
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Writing is agony. I hate it.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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The women putting their lives at risk for our country deserve better than to be treated as second-class citizens.
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I don't mind demanding women.
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Unfortunately, Poots is the name that I've been graced with for my life, but it's not short for anything - apart from Imogen Poots.
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I don't think an artist should keep themselves categorized in a specific box.
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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Stanford may be the best university in the world, but you can get all the way through here without knowing where your food came from, without being able to say where we came from, without being able to give a coherent description of why the climate is changing and why we should be concerned about it. So I started teaching a course in human evolution and the environment that's open to all Stanford students, no prerequisites.
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I started writing because I got so frustrated that there weren't enough plays that had roles for young black women in them.