Katrina Adams Quotes
I was a player who was vying to do exactly what everyone else was doing, and I happened to be black.
Quotes to Explore
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Sometimes when you do interviews, it gets twisted up.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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College was where I got to actually experience the difference between black and white.
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At fashion shows, my brows often get bleached, and they've been dyed back much darker - like jet black, where you can't even see my skin. Sometimes with Just for Men! What a mistake. At times, the two brows aren't even the same color!
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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The excitement of the fans in Montreal, especially in the playoffs, I don't think you can get that anywhere else. For a hockey player, I kind of wish everyone could go through that and experience what it is to play there. It's very unique.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
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I really wanted Michael Jackson to be in the first Men in Black, but he didn't want to be considered as an alien!
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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After two years at UCLA, I decided to leave. I was convinced that no amount of education would help a black man get a job.
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It takes ground activity to stimulate that Black vote.
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People going into the cities for the opportunities and the towns are getting older, no young people.
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I've been trying to understand conflict and violence ever since I was a kid. You know. There were a few things that happened even on my block - the Black Panthers used to be right around the corner from where we were.
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If you ask any great player or great quarterback, there's a certain inner confidence that you're as good as anybody. But you can't say who is the absolute best. To be considered is special in itself.
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One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
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Any quality player can adjust well to the different demands. It is like a good tennis player who is expected to adjust to the clay at the French Open, the grass at Wimbledon, the hard courts of the U.S. and the heat of the Australian Open. A professional is expected to do all that.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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I've noticed women my age and a little younger, anywhere from 35 to 50, saying, 'Who would want to bring kids into a world like this?' Or, 'I don't want to spend my life that way. I want to do my artwork.' And they're very unapologetically stating this.
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I think cool moments like winning a Grammy deserve a nice little party where you really soak it in and not have to work and stuff. I do remember throwing a party on that Grammy night, but it was work.
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Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it.
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I was a player who was vying to do exactly what everyone else was doing, and I happened to be black.
