Mal Peet Quotes
Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
Quotes to Explore
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But Buddy was an upper. He was happy. He loved music, and he was really happy. I don't know... I don't believe in reincarnation at all, but if all that stuff is true, then he might have been on his last time around.
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To have long term success as a coach or in any position of leadership, you have to be obsessed in some way.
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I'm so happy to be in a committed relationship.
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You know, I really miss sex scandals. They're generally colorful. They almost never mean anything over the long run. And while they're going on, the people who actually keep the government running are let alone to go about their business. Good old sex scandals.
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With the common Iranian threat bringing the Sunni Arab world and Israel closer together, an Israeli-Palestinian peace would go a long way in improving relations and rebuffing Iran's regional ambitions.
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Besides black art, there is only automation and mechanization.
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If you have a happy home, everything is sorted, I guess.
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In Men in Black, it was a very small character, no pun intended.
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At fashion shows, my brows often get bleached, and they've been dyed back much darker - like jet black, where you can't even see my skin. Sometimes with Just for Men! What a mistake. At times, the two brows aren't even the same color!
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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For as long as our people are held hostage by controllable socio-economic forces, we cannot afford to be indifferent to the ravages of poverty in all its dimensions and ramifications.
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I simplify the spices. I'm the same way as everybody else: if I look at a recipe and there's ten spices in it, I'm going to have to think long and hard about when I'm going to be able to make that... so I try to simplify the spices to three or four.
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The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
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The air of the English is down-to-earth. They care about details; there's a tradition, but there's also a counter-culture: the younger generation versus the older generation and so on. But then that's well blended into a happy balance and crystallised into common sense.
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I think Paris smells not just sweet but melancholy and curious, sometimes sad but always enticing and seductive. She's a city for the all senses, for artists and writers and musicians and dreamers, for fantasies, for long walks and wine and lovers and, yes, for mysteries.
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Storytelling is fine as long as you can encourage people to act on the stories.
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In New York one lives in the moment rather more than Socrates advised, so that at a party or alone in your room it will always be difficult to guess at the long term worth of anything.
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That is the beauty of having characters that don't make a big deal out of being gay, or lesbian, or whatever. They are just what they are, and that is acceptable - and that nobody should question that and that love is love.
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Lord, it would be better to be born without an arm than to go through life with no guts.
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You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church.
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Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
