Chi Chi Rodriguez Quotes
Quotes to Explore
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I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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As an author, I really hate a reader like me. There's no loyalty.
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As far as I'm concerned, 'whom' is a word that was invented to make everyone sound like a butler.
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I am getting to the point where the only love worth being in is the love worth singing about.
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The progression of emancipation of any class usually, if not always, takes place through the efforts of individuals of that class.
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If you do a Western that's funny, there's no way people don't call it a spoof or a parody, even though it may not be.
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Whoever degrades another degrades me, And whatever is done or said returns at last to me.
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I miss Broadway, what little there is on Broadway now.
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Machines were, it may be said, the weapon employed by the capitalists to quell the revolt of specialized labor.
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Sometimes one succeeds, sometimes one fails.
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We, the artists, make the stuff they sell and they're like ticks on our backs, sucking the life out of us.
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Because I'm shy and a bit quiet, I think people assume I'm an elegant person.
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I know what I can do so it doesn't bother me what other people think or their opinion on the situation.
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Albanians, we tan well! I don't burn; I bake.
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How many people in the world is, each of them is individual. And I like to eat bread, somebody don't like that. You know this is the same in gymnastics.
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We were very fortunate that the carriers weren't in the harbor.
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The public schools I attended were dominated by athletics and rarely inspiring intellectually, but I enjoyed a small circle of interesting friends despite my ineptitude at team sports and my preference for reading.
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I didn't really understand what you did when you went in front of the camera. And then suddenly I just understood it. When you're in a play, you carry the story, but you don't have to do that in film.
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A decade and a half after victory in the Cold War and end-of-history triumphalism, the 'what do you leave behind' question is more urgent than most of us expected. The Western world, as a concept, is dead and the West, as a matter of demographic fact, is dying.
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That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
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My loyalties will not be bound by national borders, or confined in time by one nation's history, or limited in the spiritual dimension by one language and culture. I pledge my allegiance to the damned human race, and my everlasting love to the green hills of Earth, and my intimations of glory to the singing stars, to the very end of space and time.
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Now we stand at our own crossroads, looking out upon two futures: one with rising temperatures, rising oceans, and rising violence on a hot and strip-mined planet and another with expanding organic harvests, growing solar arrays, and deepening global partnerships on a green and thriving Earth.
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Baby I'm gonna see that you be back home in thirty days Gonna put a false charge again ya That'll be the very thing that'll send ya I'm gonna see that you be back home in thirty=-= days
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I'm getting so old, I don't even buy green bananas anymore.
