Bethenny Frankel Quotes
Quotes to Explore
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Politics is the enemy of the imagination.
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I used to believe I was going to live forever. And then you suddenly become aware that you're not.
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You must not fear death, my lads; defy him, and you drive him into the enemy's ranks.
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It's really important to me that my sound is a combination of beats and melody. I love hearing strong, confident beats in music because I love to dance. At the same time, melody is really important to me because I love singing.
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My friends in the TV news business are in a state of despair about Donald Trump, even as their bosses in the boardroom are giddy over what he's doing for their once sagging ratings.
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When you're told to go brief a United States senator on a covert operation, you go do it. And you trust the information isn't going to leak.
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I don't think Bosnia is ready for reconciliation, but I do think it is ready for truth.
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I played a lot of squash for a lot of years.
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I had studied theater for three years in London when someone suggested me for the role.
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All the rappers my age are getting Audemars and Rolexes. I want to find my own thing. That's why I travel the world - for me, that's my B-side, why we go places. I have a Hublot on from time to time but I want a home base watch - something that's elegant but has got a little pizzazz to it.
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The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.
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When you're putting good stuff into your body, you feel so much better.
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I think my track record speaks for myself... I have been endorsed by the African Union, but I am a prosecutor for 121 states parties and this is what I intend to be until the end of my mandate.
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No two wars are identical.
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I can think of nothing that an audience won't understand. The only problem is to interest them; once they are interested, they understand anything in the world.
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Every season, for me, it's like starting from scratch again.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
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Martin Lawrence had no filter, and to me that was the greatest half hour of all time. Martin was ahead of his time.
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A vast technology has been developed to prevent, reduce, or terminate exhausting labor and physical damage. It is now dedicated to the production of the most trivial conveniences and comfort.
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In a leadership role in Iraq and in running my own business, what I've learned is if you don't listen, you're going to strike out. You're going to fail miserably. The people you work with have got to know you're engaged and you're listening.
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I never wanted to write 'Mamma Mia!' or 'The Book of Mormon' - they're not my thing, I don't care about them. What I do is very different.
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Producing small films, you usually have four or five people you want, and you hope one of them will say they'll do it.
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You cannot show people only the petals and not the thorns. It's not fair to them.
