Mark Bradford Quotes
The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'
Quotes to Explore
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I love my family and I miss them very much but I'm a new person now. I know a lot of people will not agree with what I've done, but it was right for me.
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Every dogma, every philosophic or theological creed, was at its inception a statement in terms of the intellect of a certain inner experience.
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You've just got to sing, do some kind of singing every day. Early mornings and cold weather can mess with that. I drink special teas with cayenne pepper, but I think you're psyching yourself out, really.
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Twenty million more have Chronic Kidney Disease, where patients experience a gradual deterioration of kidney function, the end result of which is kidney failure.
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The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
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People are making judgements about Russian people based on me. This is why I never allow myself any aggression towards my opponent.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.
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I just always wanted to be left alone to go into a creative space.
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You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
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I like to get up around 5:30 or six - that's my favorite time of day. My family is still asleep, and the office is still closed, so I can start my day slowly.
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I owe everything to France.
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There may be 10 odd things which I want to do as an actor, and we get an opportunity also, but I need to be sure whether the person I am trusting or the role that I am relying on - is it the correct one?
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I don't think anyone has written a great graphic novel.
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I don't want people following me around, everywhere I go, people talking to me and stuff. I don't want to be walking down the street with a bodyguard. I don't think that will be an issue playing in L.A.
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I have a box of things from Becca, my high school girlfriend, and Vanessa; and each one of them was love. I have the notes, the valentines, 20 mixed tapes, all of it. It's important to keep that stuff.
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I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
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I did 75 films. I didn't take a break; I didn't spend my money. I have my savings, so when you're not working for money anymore, then you should find things that are meaningful and not just be like, 'OK, that's another day gone.'
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He always violated your expectations. … He was a character.
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You who live your lives in cities or among peaceful ways cannot always tell whether your friends are the kind who would go through fire for you. But on the Plains one's friends have an opportunity to prove their mettle.
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In most espionage novels, the characters risk their lives trying to save somebody or while protecting a nation from some threat. In 'The Travelers,' that's not what's going on. I used espionage as a device to heighten the characters' personal dramas.
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When the history of our times is written, will we be remembered as the generation that turned our backs in a moment of global crisis or will it be recorded that we did the right thing?
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We need the real, nation-wide terror which reinvigorates the country and through which the Great French Revolution achieved glory.
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The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'
