Kathy Griffin Quotes
When I'm going to see a comedian, I don't want to see them hold back, and when I'm reading a book, I don't want to hear an abridged version.
Quotes to Explore
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A real book is not one that we read, but one that reads us.
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I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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One half who graduate from college never read another book.
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For me, the whole process involves envisioning this book in my head as I'm working.
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I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.
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After my 10th standard, my life took me into the world of cinema, but I never severed my ties with my love for reading.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I don't really read 'business books,' and I didn't think 'The Paradox of Choice' was a business book. I'm very surprised and gratified that the business world thought it was one.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
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I don't like parties past 2 am. Then it's all losers and weirdos.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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When you're first reading the script and thinking about playing the part, it's slightly daunting. It's easy to question, 'Is an audience going to like me? And is that my job?'
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I'm omnivorous in my tastes, fiction and non-fiction, always several books on the go, though I'll read a novel in a day or two.
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The spark for 'In Praise of Slowness' came when I began reading to my children. Every parent knows that kids like their bedtime stories read at a gentle, meandering pace. But I used to be too fast to slow down with the Brothers Grimm. I would zoom through the classic fairy tales, skipping lines, paragraphs, whole pages.
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Let us remember: One book, one pen, one child, and one teacher can change the world.
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Education... has produced a vast population able to read but unable to distinguish what is worth reading.
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I'm a failed poet. Reading poetry helps me to see the world differently, and I try to infuse my prose with figurative language, which goes against the trend in fiction.
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The prospect of outsized profits leads people to exaggerate their own capabilities. In their minds. They pretend to themselves that they are in control of events where perhaps they are not. And it is always one's stance upon uncertain ground that invites the attentions of one's enemies. Or discourages it.
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The brilliance of Adam Scott is that he is so damn funny in a straight man role.
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I don't want to be the young girl that people say, 'Man, that Lauren Alaina girl, she's got a lot of talent, but she's lost her mind.' I don't ever want that to be me - ever.
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When I'm going to see a comedian, I don't want to see them hold back, and when I'm reading a book, I don't want to hear an abridged version.
