Katie Leclerc Quotes
When I played 'Annie' in the seventh grade, I knew from then on that I wanted to be an actor.
Quotes to Explore
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I was perhaps about 10 years old when a local farmer rang us up to say he had found a young badger and would we take it in. So we did; it was a female called Bessy and she lived in the boiler room. She was extremely intelligent, had a very low opinion of cats but loved the dogs. She was pretty well trained; she went in the car.
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Failure is success if we learn from it.
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All a writer wants is to be read, and people are so flattering and lovely. I mean, there are witches out there as well. But most are so kind.
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I think as an actor you're used to having to travel, so wherever the work, is you're willing to go.
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I like writing about places, about people and environments. When I create a world, it lets me go in and define the details of that world.
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I'm interested in playing, not working.
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There's very little bohemia in Australia and it's one of the things I miss most about not living in Europe.
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I don't think good and evil are polarized.
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I have never had a man give me money. I've always been the provider. I have always been the one who went out and earned, and I've never felt unequal in that way.
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Science is defined in various ways, but today it is generally restricted to something which is experimental, which is repeatable, which can be predicted, and which is falsifiable.
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People in Tulsa are totally friendly; the crowds are very nice.
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It seems to me that in the western world, culture has something to do with appearance. A person that's out creating good stuff has got to appreciate someone when they take the time to have an appearance that goes with what they're doing.
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Men have looked upon the desert as barren land, the free holding of whoever chose; but in fact each hill and valley in it had a man who was its acknowledged owner and would quickly assert the right of his family or clan to it, against aggression.
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Every guy has different strengths in the NFL. Receivers are different, running backs are different, but they all have that one thing that they do that's special: that thing that keeps them on the roster every year.
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It's very rare to see an undisturbed birth in a modern U.S. teaching hospital, but when you see a woman who isn't frightened, who's giving birth without interference, you stand back in awe and realize how little needed you are except in the rare circumstance.
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My definition of a redundancy is an air-bag in a politician's car.
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I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European.
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The biggest challenge in New Orleans has been to find workers who can climb a ladder after lunch.
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Amare, Carmelo Anthony, Chauncey Billups - they're virtually unstoppable.
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The man with a clear conscience probably has a poor memory.
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'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.
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I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
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The regularity with which we conclude that further advances in a particular field are impossible seems equaled only by the regularity with which events prove that we are of too limited vision. And it always seems to be those who have the fullest opportunity to know who are the most limited in view. What, then, is the trouble? I think that one answer should be: we do not realize sufficiently that the unknown is absolutely infinite, and that new knowledge is always being produced.
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When I played 'Annie' in the seventh grade, I knew from then on that I wanted to be an actor.
