Chief Joseph Quotes
We gathered all the stock we could find, and made an attempt to move. We left many of our horses and cattle in Wallowa. We lost several hundred in crossing the river.
Quotes to Explore
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I was never offended that people underestimated me because of my appearance or that they thought I was pretty and discouraged me from fighting because they didn't want me to risk hurting my looks.
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As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
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I grew up in a hippie commune so I have a real hippie part of me.
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I'm a private person. I'm shy about people knowing things.
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I don't ever want to be like a peasant. I want to always be all right. But motivation is fans - not your kids, your mum, none of that. All of that matters, but number one is your fans.
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I fly myself everywhere. I like all kinds of flying, including practical flying for search and rescue. And I also like to fly into the backcountry, usually the Frank Church Wilderness in Idaho. I go with a group of friends, and we set up camp for about five days and explore little dirt strips and canyons.
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No two wars are identical.
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You're an enormous sponge and everything goes in there and you squeeze it out in songs, I guess. And if you're a painter, you squeeze them out on to a canvas.
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Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress.
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If you're fortunate enough, you get to a position where you can be a little pickier about your roles.
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When I saw rappers in the '90s cameo in films - all of those '90s rappers - it seemed like whenever you chucked a rapper in a film, they could just act. It seemed like all rappers could act.
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I am a collaborator with everyone who agrees that I need to be in control. I happily collaborate with my loyalists.
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I love my life and my mistakes and my triumphs - all of it.
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If you want to meet a woman, it's best just to smile and say hi.
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Tragedy is a hell of a teacher. It's much too strict, but it's a hell of a teacher.
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I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
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The core of the person is what he or she loves, and that is bound up with what they worship - that insight recalibrates the radar for cultural analysis. The rituals and practices that form our loves spill out well beyond the sanctuary. Many secular liturgies are trying to get us to love some other kingdom and some other gods.
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I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter.
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Since we are not permitted to act, we are obliged to know.
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I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece .
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I love holding myself accountable and being held accountable by my teammates. It's never easy, but it comes with the role of being a leader, and if your leadership is not up to par, then the team won't be willing to work as hard.
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Politics itself is so unsexy, isn't it? But when the politics in creative works are really explored - not used as a vehicle - the results can be really interesting.
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We gathered all the stock we could find, and made an attempt to move. We left many of our horses and cattle in Wallowa. We lost several hundred in crossing the river.
