Kay Redfield Jamison Quotes
Quotes to Explore
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My public in Guadalajara and the people from Guadalajara, they've supported me since day one.
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I was always interested in the kind of history they didn't teach you in school.
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After 'Lindbergh,' my publisher asked whom I wanted to write about next. I said, 'There's one idea I've been carrying in my hip pocket for 35 years. It's Woodrow Wilson.'
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I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
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A man seldom thinks with more earnestness of anything than he does of his dinner.
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Your barber always knows everything that goes on in the town, doesn't he?
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The progress of India is the destiny of one-sixth of humanity. And it will also mean a world more confident of its prosperity and more secure about its future.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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Americans have always had an ambivalent attitude toward intelligence. When they feel threatened, they want a lot of it, and when they don't, they regard the whole thing as somewhat immoral.
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The African Union has to act in order to put an end to armed conflicts that undermine the continent, to fight against the devastation caused by AIDS and other contagious diseases, to promote sustainable development of its member states.
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My reading of philosophy and history is desultory; I know so much and yet so little.
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From my own point of view, I hope everybody would realise that people who work in Scottish football - referees included - are always under terrific scrutiny.
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Fallible characters are more interesting than superheroes in the end.
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We can grow crops less expensively because molecular manufacturing technology is inherently low cost.
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People can't even imagine that it's possible to succeed anymore.
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I'm trying to encourage more women to be themselves, rather than what men want them to be. I don't believe in patronizing either sex.
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Music is very abstract. When we talk about music, we're not discussing the music itself but rather how we react to it.
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Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
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There's a certain freedom in writing when you don't know if you'll ever have an audience.
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The development of the human mind has practically extinguished all feelings, except a few sporadic kinds, like sound, colors, smells, warmth, etc., which now appear to be disconnected and separate.
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If I get blocked, it is generally because I don't know enough about some aspect of the story or the characters. The answer for this is generally more research, or making more background notes, so the place and person can be more fully realized inside my own mind.
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Writing a novel that crosses genres is a risk, but one well worth taking.
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I used to be a hopeless romantic - I fell in love with everyone I went out with.
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'An Unquiet Mind' wasn't hard to write in terms of the actual writing of it.
