Kaya Scodelario Quotes
I'm not good at dressing up. I always feel a bit out of place. It's just not me - high heels and designer dresses - and I can't seem to get used to it.
Quotes to Explore
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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When I was in high school, my parents had this power over me - if I ever lied or got caught doing something that I shouldn't be doing, then I would no longer be able to go to L.A. and continue to pursue the acting thing.
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I always tell young actors to have a back-up. You don't want to find yourself at the age of 30 still struggling to make a living out of acting.
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Fly-in, fly-out curating nearly always produces superficial results; it's a practice that goes hand in hand with the fashion for applying the word 'curating' to everything that involves simply making a choice - radio playlists, hotel decor, even the food stalls in New York's High Line Park.
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I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
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I've experienced poverty and plenty, and there's a lesson to be learned when you're brought up in poverty.
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On set I keep myself to myself; I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
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Growing up, I liked all the stuff that everyone else was listening to, like Motown, but the biggest group of all was The Beatles.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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California is infamous for passing things and then waking up and saying, 'What the hell did we just pass?'
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My first impression when I made it through was 'Good, because I'm going to prove to you that I deserve to be here', because they told me that sometimes I lack confidence in my performance and sometimes I'm not as consistent as they'd like me to be.
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The materialism, the brashness, the misogyny - everything in hip-hop is amplified. Misogyny is a good example of something that is completely amplified in hip-hop. I do think there is more than enough of a balance, though, for fans who are willing to search it out.
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I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
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It's odd to grow up in a gaming town because... we know all of the tricks that are going on behind the scenes.
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Becoming a mother has turned my world upside down, but in a really good way - it's the best.
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All of my characters are less than perfect.
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I like Ned Leeds. I love the character so much. He's a very new character in the MCU. I think he's a very fresh take on people in the superhero world. Some superheroes crack under pressure, and Ned Leeds, who is not a superhero, doesn't.
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I wanted to work with Bryan Singer because I like his films.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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I'm not good at dressing up. I always feel a bit out of place. It's just not me - high heels and designer dresses - and I can't seem to get used to it.
