Lajos Kossuth Quotes
Quotes to Explore
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I love the immediacy of an audience being there and reacting. I'm spoiled, having grown up in theater.
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I'm very much a hypochondriac, worried about dying, and not having enough time to work with the people I want to work with and being fulfilled as an actor.
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The only people who never fail are those who never try.
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I generally avoid temptation unless I can't resist it.
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I just do whatever I do, and put it out there without tryin' to cater to anybody. If you like it, you like it.
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I had this dream in my head of, if I got hired by 'SNL, what that moment would be like. And I dreamed that I would, like, collapse on the sidewalk and cry to the heavens. I got this call, and it didn't happen naturally. But I did it anyway because I wanted to have that moment. So I did collapse.
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I work legs, upper body, everything. Legs are very important. I do hang cleans and squats - I do primary exercises. Squats work over 60 percent of your muscle mass in your body. The hang cleans work on my explosive movement, which is essential for success.
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I like structure, cool, hip songs, and fun, hooky music.
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Only he can take great resolves who has indomitable faith in God and has fear of God.
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I'm definitely not a super great guitarist. Ultimately, I just write a lot of love songs.
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I know that John Adams has had a very hard time directing French ensembles.
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We were on the cover of Women's Wear Daily, which was hardly rock 'n' roll, but it pleased me.
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My children are living, thinking human beings. It isn't in my power to regret them, for they belong to themselves.
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Because my business life is so busy, my home is really my sanctuary. That is where I reflect and spend quality time with my girls.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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I met Powel Crosley at an All-Star Game in 1935. He was familiar, of course, with our winning record at Rochester. We seemed to hit it off immediately, and the following year, when he was looking for a successor to Larry MacPhail, he thought of me.
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We all wanted to copy Vivien Leigh.
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If I were to sum up the negative reactions to my work, I think there are two primary causes: one is that if there is discourse about anxiety it is necessarily going to induce anxiety. It will represent a return of the repressed for a great many people.
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I try to be measured and thoughtful about what I put out there because I know a lot of young people follow me on Twitter, and I take that seriously - which is why I don't exclusively tweet about cookies and 'Game of Thrones' and YA.
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For to change the norms, the very foci of attention, of a cultural system is a difficult task - far more complex than that of changing an individual's attitudes and interests.
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The truth is that as we move forward, if one side says we can't raise any taxes on anybody or any interest, and the other side says we can't cut anything, we're obviously not going to make progress on this. And our interest is in making progress on this.
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Driving a race car is like dancing with a chain saw.
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I could never ever say enough about Matt Amato. He has an indescribable presence; this warm, loving, serene calm with intense interest and excitement bubbling beneath his exterior.
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Argument is not always truth.
