Kazimir Malevich Quotes
At the present time man's path lies through space, and Suprematism is a colour metaphor in its infinite abyss. 1916
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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Each atom of the Holy Spirit is intelligent, and like all other matter has solidity, form, and size, and occupies space.
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When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
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The true treasure lies within. It is the underlying theme of the songs we sing, the shows we watch and the books we read. It is woven into the Psalms of the Bible, the ballads of the Beatles and practically every Bollywood film ever made. What is that treasure? Love. Love is the nature of the Divine.
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What lies behind you and what lies in front of you, pales in comparison to what lies inside of you.
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I have the time needed to support the album and tour.
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A broad trend I'm completely obsessed with is mobile commerce. Like completely. I'm completely convinced that everybody's going to be buying from their mobile devices. Whoever can claim that space or be in that space, I'm very interested in.
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I think space will be conquered through the mind rather than the clumsy medium of space travel.
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I read The Odyssey all the time. I always get something out of it.
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The 1970s 'Wonder Woman' was sort of a kitsch thing. It was a very specific time for that, and it's hard to modernize something like that.
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'Outlander' is filmed mostly around Glasgow and the central belt of Scotland, so it's lovely for me because I get to go up and spend time in the place that I lived for three years. I've got a bunch of friends in the cast because a lot of them studied at the same college as I did, and I get to see my family, most of whom now live in Scotland.
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There are also scientific problems with the concept that each of the creation days was a long period of time.
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I'm compulsively on time. It drives me insane when people are late.
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If the angel Gabriel came to me and said, 'Look, I'm willing to take your soul now and give it back to you at any period of time in the history of the nation of Israel, from the very beginning to this very day' - I think I would not think of any other time except for when Moses brought down the Ten Commandments from Mount Sinai.
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There's a certain time of day after sunset when people naturally seem to feel the urge to gather by a fire or a stove or a hibachi or another common source of heat and food, and hunker down together to eat and drink. Call it the blue hour.
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I set the bar high because I don't want to do just any other show just to keep working. I want to do something special that means something to people and speaks to them. Those kinds of opportunities don't come along all the time!
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Coney Island is and always will be 'the people's playground.' It's a place where people of all backgrounds come to have a good time.
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When I began writing science fiction in the middle '60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.
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Certainly one of the surprising truths of having a book published is realizing that your book is as open to interpretation as an abstract painting. People bring their own beliefs and attitudes to your work, which is thrilling and surprising at the same time.
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If you were to ask everyone what 'Hamlet' was about, they might say, "It's about a prince, and he says, 'To be or not to be.'"
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Ryan finally came to my rescue. He'd thought working together in Paper Moon would help us bond.
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It's important for me to try my hand at philanthropy because I want to leave behind a record of someone who did more than just gobble up stuff for themselves. I realized that a life lived for yourself is not much of a life.
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At the present time man's path lies through space, and Suprematism is a colour metaphor in its infinite abyss. 1916
