Kazimir Malevich Quotes
Only when the habit of one's consciousness to see in paintings bits of nature, Madonna's and shameless nudes.. ..has disappeared, shall we see a pure painting composition. I have transformed myself into the nullity of forms and pulled myself out of the circle of things, out of the circle-horizon in which the artist and forms of nature are locked.

Quotes to Explore
-
'Punk' doesn't mean Mohawks and safety pins. It's about not conforming.
-
And then I think now we are - you know his - like I've always said. His spirit is so large that we feel his presence around the show, and we always will. He will always have a voice.
-
I used to do a lot of serious theatre during my school and college days. Comedy was only reserved for youth festival and inter-college competitions. Then once 'The Great Indian Laughter Challenge' was launched, a regional channel in Punjab started a program based on that. I participated in it and emerged as the winner.
-
My husband had a very strong identity and was successful in his life. Thank God for that. There's no way I can control him. I wouldn't stay married to him if I felt I could. I can readily take my business personality into the home. But he forces me to be a partner rather than the boss.
-
I get really upset seeing my friends who are mums crying because they feel like they're not good enough. Clever, confident, kind young women all going, 'I'm ruining my child's life.'
-
Maybe I was unpopular a bit because I was a teacher's pet. But even the teachers complained about me. They would say to my parents, 'For every one question any pupil asks, Walter asks 10.'
-
From the spinners, Anil and I have been together for a long time and I respect him a lot.
-
I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.
-
Managers are the most creative people in the world.
-
Dreams are the expression of the unconscious while we are asleep.
-
Neither the life of an individual nor the history of a society can be understood without understanding both.
-
Economic growth is important. But we cannot count on economic growth alone to fund the public education system our children need and deserve.
-
I am not a party person.
-
Actually, I wanted to become a journalist, but no matter who I imagined myself to be in the future, somehow I was sure: I would leave my hometown. I felt it was my destiny.
-
Leadership appears to be the art of getting others to want to do something you are convinced should be done.
-
Do we fear terrorism so much that we throw out our Constitution, and are we unwilling and afraid to debate our Constitution?
-
They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.
-
Overall, we had about 50 meetings where the brothers would say that I couldn't do any solo records, I couldn't write for other people, I couldn't do this and I couldn't do that. These guys were trying to nail my feet to the ground.
-
He that but looketh on a plate of ham and eggs to lust after it hath already committed breakfast with it in his heart
-
I do lots of activities. I hang out with friends.
-
I believe that mathematical reality lies outside us, that our function is to discover or observe it, and that the theorems which we prove, and which we describe grandiloquently as our "creations," are simply the notes of our observations.
-
There were two sides to David Lean: on the one side, he was kind of a rather stiff, disciplined Englishman. And then he had this kind of romantic side to him. I think being true to both sides of your nature is important.
-
When everyone is somebody, then no one's anybody.
-
Only when the habit of one's consciousness to see in paintings bits of nature, Madonna's and shameless nudes.. ..has disappeared, shall we see a pure painting composition. I have transformed myself into the nullity of forms and pulled myself out of the circle of things, out of the circle-horizon in which the artist and forms of nature are locked.