Kazuo Ishiguro Quotes
Memory is quite central for me. Part of it is that I like the actual texture of writing through memory. I like the atmospheres that result if episodes are narrated through the haze of memory.
Quotes to Explore
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Once you research an idea, you begin to develop a perspective. Writing about anything in public, often in real time, has helped fashion my views.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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I don't have any office; I can write everywhere. So, I put a piece of paper on the table, and then I travel. Literally, writing for me is like travelling. It's getting out of myself and living another life - maybe a better life.
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All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
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Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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When you're writing, you are robbed of your delivery.
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I don't think I'd ever make an album of just covers because I love writing my own music.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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For me, any book I'm writing is also a chance to get in and research and read and learn things that I maybe only knew a little bit about before.
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I had reached a point in my career in which I was ready to try something new in my writing, and the idea of a novel has always been in the back of my mind.
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I'm not one of those people who's so blinded by my own work and my sweat. It's kind of risky writing a memoir when you're really part of a larger universe.
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I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
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You need to understand that a skilled professional songwriter can accelerate your success as an already talented musician. These people are writing every single day, so their craft is really sharp, and it's the best songwriters who consistently get on the radio.
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Every new writing project, every new artistic project, needs to be protected so it can grow on its own before it begins to creep out into the world.
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I'm intrigued by a tough situation, and I try to do something with it.
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When you say, 'When you're wrong, you're wrong,' I would 100 percent agree. I've always handled my punishments head on.
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THE British are brave people. They can face anything, except reality.
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I'm the most unromantic lump of Northern suet. Yes, a woman did accost me once in South Shields, but she had a face like Red Rum.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory. I like the atmospheres that result if episodes are narrated through the haze of memory.
