Kazuo Ishiguro Quotes
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If you look at my last songs and first short stories, there is a real connection between them.
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There's something peculiar about writing fiction. It requires an interesting balance between seeing the world as a child and having the wisdom of a middle-aged person. The further you get from childhood and the experience of the teenage years, the greater the danger of losing that wellspring.
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My wife is the most savage critic. She doesn't feel intimidated by my reputation. As far as she's concerned, she's just criticising a boyfriend who'd recently had a go at fiction. She can tell me to abandon whole novels.
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Ruth insisted – that she really was afraid of us.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
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What is difficult is the promotion, balancing the public side of a writer's life with the writing. I think that's something a lot of writers are having to face. Writers have become much more public now.
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As a writer, I'm more interested in what people tell themselves happened rather than what actually happened.
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What is this gallery? Why should she have a gallery of things done by us?
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I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on and many that I had no control over whatsoever.
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It never occurred to us to wonder how we would feel being seen like that.
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I like novelists who can create other interesting worlds.
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I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.
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I work very regular hours, roughly 9 to 5:30. I think I have it much easier than a lot of parents. I just sit at home, I have a very flexible timetable, and I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.
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This is all strictly against regulations, of course, and Marie-Claude should never have asked you in. And naturally, I should have turned you out the second I knew you were here. But Marie-Claude doesn't care much for their regulations these days, and I must say, neither do I.
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People were incredibly kind to our family and went out of their way to help.
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There's something very misleading about the literary culture that looks at writers in their 30s and calls them 'budding' or 'promising', when in fact they're peaking.
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I don't hang out with the glitteringly successful people; I hang out with people who've been friends for many years, and to some extent I feel my worldly success is a bit uncomfortable for them.
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When I was younger, I didn't read that much. I was more interested in film and music. Now I'm curious. I want to know what it's all about.
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... I must admit, if it hadn't been for the encounter on the stairs, i probably wouldn't have taken the interest I did in Tommy's problems over the next several weeks.
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Memories, even your most precious ones, fade surprisingly quickly. But I don't go along with that. The memories I value most, I don't see them ever fading.
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until it came to dominate our lives.
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
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I'm always trying to make something that is impossible to film. Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
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When you're lucky enough to have a good film made of your novel - and 'Never Let Me Go' is, believe me, a heartbreakingly good film indeed - you get wonderfully talented individuals each focusing on their special area.