Chris Cornell Quotes
Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.
Quotes to Explore
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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I am going to change the world, and I'm talking to everybody in the possible world that I can get to that can help me to do that.
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What I discovered in Auschwitz is the human condition, the end point of a great adventure, where the European traveler arrived after his two-thousand-year-old moral and cultural history.
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There is no age limit on the enjoyment of sex. It keeps getting better.
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I'm addicted to 'Scandal.' Joe Morton is the devil, and I love him. I am addicted to 'Boardwalk Empire.' Jeffrey Wright is the devil, and I love him.
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And they just saw me on that and - from the time I was 11 until I was 12, I guess. And then when I had just turned 13, they asked me if I wanted to tour with Johnny Cash back East.
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I even lived on campus to get the college experience. I had five roommates and I still keep in touch with them while I'm on the road.
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Working with Disney is really and truly like working with a family. Everyone is so supportive and so wonderful. I've worked with Disney since I was twelve, and they've given me so many opportunities that I'll forever be grateful for.
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Money is power. Power is an aphrodisiac.
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I write about myself with the same pencil and in the same exercise book as about him. It is no longer I, but another whose life is just beginning.
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Any powerful technology can be abused.
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When I was living in New York, there was a lot of screaming in my life. I would just get into these altercations all the time. Being in public, dealing with shopkeepers, just trying to cross the street - things like that.
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I think we have to keep working enormously hard to see that every single Indigenous child - every Australian child - has true equality of opportunity. We've got to work harder at it. I think, you know, the heartland issue for us is the gap; the gap in life expectancy in this country.
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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
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I never met a woman I didn't like. I love 'em all, in their different ways.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.
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Personally, it's a comfort and happiness to know that my work is taken seriously and is not marginalised and put in a box of ethnic immigrant writing in America.
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I grew up loving X-Men, Spider-Man and Batman. Those are obviously the key big ones, but there's always something kind of cool about Aquaman still, the idea of creating a huge world that is on our planet.
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Satire doesn't effect change.
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Adding manpower to a late software project makes it later.
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Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.
