Chris Isaak Quotes
I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya?
Quotes to Explore
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I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.
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I feel like, for me, different environments are very important to me creatively. I think it's my norm to be on the move.
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Genius goes around the world in its youth incessantly apologizing for having large feet. What wonder that later in life it should be inclined to raise those feet too swiftly to fools and bores.
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Minimalism now is a reaction to what came before. It's absolutely of its time. Music moved into the set theory thing, and moved out of it.
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The only thing that permits human beings to collaborate with one another in a truly open-ended way is their willingness to have their beliefs modified by new facts. Only openness to evidence and argument will secure a common world for us.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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Our best thoughts come from others.
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For me, 'Moby-Dick' is more than the greatest American novel ever written; it is a metaphysical survival manual - the best guidebook there is for a literate man or woman facing an impenetrable unknown: the future of civilization in this storm-tossed 21st century.
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I think the audience keeps it fresh for me. You just never know – every audience has its own personality.
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There's an energy in an urban core that you just don't get anywhere else.
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It's a very Southern thing to be interested in dark stuff.
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This Islam business kidnapped me.
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Watching game film motivates me a lot. It shows me what I need to work on and determines the specific workouts I do.
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The idea of collaborating with anyone else was quite daunting. If Battles had any trepidation in asking me, I can assure you I had more after agreeing to do it.
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The glorification of sisters, mothers as the selfless Indian women who will do 'agni pariksha' and the one who sees her own betterment only in the betterment of their husbands and fathers, that has to stop. It's very regressive.
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I am so clever that sometimes I don't understand a single word of what I am saying.
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When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
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Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
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The great fun for me is these collaborators. I'm nothing by myself. Being with these people, whether it's the 'Homeland' cast or stage collaborators, they make you everything you are. They make you come to work. They make you be alive.
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I don't have to do the lead. If I dig a part, I'll do it.
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It is not a liberty of circumstance, conceded to us alone, that we wish; it is the adoption absolute of the principle that no man, born red, black or white, can be the property of his fellow man.
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I only feel sorry for weak people. And mostly what I've come to find is that the weak people are the ones that are the haters.
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Those who cavalierly reject the Theory of Evolution, as not adequately supported by facts, seem quite to forget that their own theory it supported by no facts at all.
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I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya?
