Chris Jordan Quotes
Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.

Quotes to Explore
-
The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
-
I've never had to explain 'Prometheus' to people, ever. Most people get it.
-
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
-
I'm very passionate about the use of sports in young people's lives to build self-esteem and self-discipline and self-confidence. It's been a big thing for me.
-
Canada was my whole world and my whole reality, and now I meet people who've never been there, and it's like, 'You've never been to my whole world?'
-
The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
-
Who has connections to Connecticut? That's where rich people go to live the rest of their life in the woods.
-
To denigrate the union movement in this way is to denigrate the right and the ability of people who are not rich to organize and to accomplish things together.
-
You should be appeasing people as much as possible, not stigmatising them. The ban of the burkini puts into question people's individual freedoms.
-
I have enjoyed every call. The ones involving direct contact with people have been most rewarding.
-
Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
-
There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
-
A first difficulty of the Arab movement was to say who the Arabs were. Being a manufactured people, their name had been changing in sense slowly year by year. Once it meant an Arabian. There was a country called Arabia; but this was nothing to the point.
-
Music is really something that makes people whole.
-
My feeling is, having lived in different classes, that people want equality of opportunity... that's the thing that makes me despair: the idea that people aren't given equality of opportunity.
-
Twitter helps me connect to the people who help make my music, or the cycle of an album, complete. Without them experiencing the music, it doesn't really exist, so it doesn't make sense to not involve them.
-
Practicing is not normally fun. Sometimes people say they're practicing, but they're really just enjoying themselves and the instrument. That's not real practice.
-
Some people care too much. I think it's called love.
-
When people say things like, 'Oh, I can't find black or brown whatever position it is,' I wanted to be clear that we exist in droves. When I tell people, 'Hey, share your work, share your LinkedIn,' it's with the ultimate goal that somebody on that thread gets hired, or something positive happens.
-
As a teenager, I was teased at school about my height and long legs, but now they are my best assets. Kids can be mean. When I was at school, I considered myself ugly, but that was when I was silly enough to believe that what other people thought mattered. Now I think I am pretty. I'm not beautiful. There is a difference.
-
I went to Poland for the Warsaw Film Festival, and it was quite an intense experience. I didn't think it would be, but it did feel quite emotional to go back to this place I'd heard so much about.
-
I'm approaching 70. Unfortunately, from the wrong direction.
-
I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
-
Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.