Chris Messina Quotes
Quotes to Explore
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I was in art school since I was five years old. I've always been to art school. Everything that's happened to me, nothing's been planned. I've never had a business plan. I just kind of fell into it, and I liked it, and I took a chance. I took a lot of chances in my life.
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I was born in Dallas, Texas, but I was raised in south Florida. 'Ice Ice Baby' is about that area.
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I don't like to rate myself; others can do that.
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Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.
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I want to stay alive. Yeah, I want to stay alive. I think that's the main thing. If there's a chance I can live longer, I want to do it.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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'EIla Enchanted' began in a marvelous writing course at New York City's The New School.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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If transportation technology was moving along as fast as microprocessor technology, then the day after tomorrow I would be able to get in a taxi cab and be in Tokyo in 30 seconds.
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My father was my trainer, my teacher. He was closer to my sister in the sense that she adored him and he adored her. He was more like my pal. Because of the 13-year gap, I think by the time I came along, it wasn't a big deal. I wasn't spoilt or cherished, I was just put to work.
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Stevie Wonder and Diana Ross and the Jackson 5, that's what I grew up on.
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As it is, relationships are difficult, aren't they?
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My M.O. is just do what you do and don't feel like you have to make apologies for it. I'm sure there will come a point when I have to apologize for something, but not yet.
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We live in a globalising world. That means that all of us, consciously or not, depend on each other. Whatever we do or refrain from doing affects the lives of people who live in places we'll never visit.
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People, when they come up to me, are like, 'Did we go to high school together? Or did I make out with you at sleepaway camp?' And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
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I played Miley Cyrus' grandma on 'Hannah Montana,' and the first time I was on, they said, 'We love having veterans like you on because she's like a little sponge, and she's really appreciative of all the veterans that are coming on the show, and we just love that you're teaching her.'
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Wherever the relevance of speech is at stake, matters become political by definition, for speech is what makes man a political being.
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There's always a theme I'm drawn to, that we humans are not good or bad. We're all a mixture of both. We can have great compassion or commit great violence.
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I am quite a dreamer. I think we all are dreamers. We all don't like to live a practical life all the time. There is a thin line between our hopes and dreams.
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I would rather make feature movies because, let's face it, you take more time. You take seven days to do a show, and you take three or four months to do a movie.
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At a time when this country needs a good military, the last thing we need to be doing is turning out of our military of people who served and then bringing in people who are illegally in the country.
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I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity.
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I'm from another time period. E-mailing sometimes, for me, is difficult.
