Sam Smith Quotes
When I write music, it's very strange: maybe it's normal, but I see things in songs in different colors.

Quotes to Explore
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Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely.
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I brought several national projects to Katihar.
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For decades, scholars have studied the ways in which implicit biases affect how we perceive other people in this multiethnic society of ours. The data consistently shows that about 90 percent of us possess some implicit prejudices - and, unsurprisingly, people typically favor their own group.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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We have to embrace the good over the bad. That has to be one's personal project.
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One of the problems with defending free speech is you often have to defend people that you find to be outrageous and unpleasant and disgusting.
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Village cricket spread fast through the land.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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I think music should be scary. Music is an exorcism.
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I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.
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One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential.
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Hold the door for a lady. Wait until a lady is out of the elevator.
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As an actor, you don't want to play a one-dimensional character.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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I call tennis the McDonald's of sport - you go in, they make a quick buck out of you, and you're out.
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More and more, we're used to taking things in through the eyes rather than through the ears, and opera is more of a spectacle.
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When I was working with Tom Ford, he would just look at me and ask, 'Will you wear it?' I'd say, 'Ah, too long, too short, lower waist, deeper V, unbutton' - that sort of thing. I don't create clothes, but I definitely know how to make them come alive.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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The anguish of the third dimension is given its first verbal manifestation in poetic history in King Lear. (p. 18)
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God has been my number one inspiration. I also look up to Will Smith and Jamie Fox who are also personal friends of mine. They give me great career advice. I would also include Chris Stokes, as a filmmaker and music producer. I've been working with him since I was eight.
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My husband and I grew up with parents who supported our passion, and we're grateful to them for that. It really helps you find your identity when you're younger. It helps you become a really well-rounded person, the more you can show from different perspectives. The arts show us empathy, which is so important.
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People get jaded in every profession, but for some reason, I feel as passionate as when I was 13 years old and just released my first album. I feel the same amount of adrenaline in my blood, and the same amount of curiosity as well. Curiosity about why I'm different.
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I always had a work ethic. And I think I very much got that from my father and my mother.
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When I write music, it's very strange: maybe it's normal, but I see things in songs in different colors.