Sara Evans Quotes
Quotes to Explore
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Democracy opens new vistas and opportunities. We should use the opportunities it offers to correct past mistakes not to blunder anew.
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Art breathes into life a surplus that is both vital and extraordinary.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I've always wanted to be in journalism. I even started a course at Loughborough doing media studies. I like all sports, and I am keen on writing. But I thought that while I was still young, I ought to make a real go of it at badminton. So I have put all my focus on playing sport instead of writing about it.
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I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
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A guitar riff played on a piano doesn't come close to the purity of it being played on a guitar but I faked it enough to get by.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I'm re-teaming with the producers of 'Twilight,' whom I love and who I have an amazing relationship with.
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I have a great office.
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The choice that frees or imprisons us is the choice of love or fear. Love liberates. Fear imprisons.
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Twenty20 is cricket on speed. In an era of hectic lifestyles and falling attention spans, it gives spectators more drama and intensity in three hours that they would get from a whole-day match. And even though it is a heady cocktail of money, entertainment and media, at its core it is cricket.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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Hearing my songs in public freaks me out a bit. There was one restaurant I really liked in L.A., but I had to stop going there when they started playing my music. It felt kinda awkward.
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Within a lot of African-American households, I think, there's an idea that black men don't want to take an active participation in the lives of their children. That if they do, there has to be some sort of ulterior motive.
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Nothing ever turns out the way people expect it to.
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There isn't a flaw in his golf or his makeup. He will win more majors than Arnold Palmer and me combined. Somebody is going to dust my records. It might as well be Tiger, because he's such a great kid.
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It's cool having a little bit of money to do your thing.
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Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
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In '32 we organized the Young Negroes' Cooperative League and had some degree of success in terms of establishing stores and certainly buying clubs in various sections of the country. I was designated as - I don't know what exactly - I believe it was director. I'm not sure what it was, but it had to do with getting out the necessary mail and all of that - organization.
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I want a man who knows something about himself. And is appalled. And has to forgive himself to get along.
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When I brought 'Sex and the City' to HBO, I wanted to do something independent, where I could be like, 'I don't care if anybody watches this thing. Just let me do something that I would love to see.' Honestly, the success of 'Sex and the City' was what was most surprising to me. It was sort of like the anti-TV-show in my mind.
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You're defined by how you play the game, not by the game itself.
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Your mind is an automobile and words are your wheels.
