Keith Belling Quotes
Quotes to Explore
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When I initially moved to the city, I had to stay in hotels for almost two years. I was fed up of that life, and it was then that I decided that I wanted a home in the city, so I shifted base permanently.
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A lot of people don't get second chances.
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Disciples of Keynes, who focus on aggregate demand, view any increase in household wealth as raising employment because they say it adds to consumer demand.
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I'm extremely fascinated by marriage. I want to study marriage. I want to learn about it. I want to know it. I want to figure out whether or not I want to do it. I'm not just going to leap into it, because that's not good for anybody.
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When you want to fool the world, tell the truth.
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The Old Firm clubs are not easy clubs to manage and sometimes I think frustration comes in that, in the end, make you happy to be leaving.
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Because I'm in an adult world and I'm really working, my age is just a number. It's not really who I am.
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I'm one of those crazy people, if I'm watching the trailer for a movie and I'm really excited by it, I'll turn it off because I don't want to know anything. I want to be surprised because I love that more than knowing anything.
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My favorite albumn ever is Jeff Buckley's GRACE. I feel a weird unexplainable connection to him.
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The New Deal's enmity for that system of free and competitive private enterprise which we call capitalism was fundamental.
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I didn't ask to be a hero, but I guess I have become one in the Christian community. So I accept it. But if I'm wrong about this, I guess I'll become a bum.
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And now I have a big house, nice clothes and I travel in first class and I love it, so maybe it's time to enjoy being a star.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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My friends gave me the first songs which was the first food in my soul for me.
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Of course I wanted children. Bright, gorgeous, loving children. I could almost see them.
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To generate creative ideas, it's important to start from an unusual place. But to explain those ideas, they have to be connected to something familiar.
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At the end of the 1970s, I was a young researcher at the Weizmann Institute with an ambitious plan to shed light on one of the major outstanding questions concerning living cells: the process of protein biosynthesis.
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I'd like to go back to standup. I don't like to think I've done my last gig. At the moment it terrifies me, I get really nervous. It's a great buzz when it goes well.
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My legacy is going to be in affordable health care. I am willing to invest in developing that model and the policies around it.
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Before you have kids, you're like, 'I hope I don't die on this plane,' or, 'I hope I don't die crossing the street.' It's all me, me, me. 'What do I want to eat? What do I want to do?' But when you have a baby, and you would just happily stand in front of a bus to save her, it's a ferocious commitment to protecting your charge.
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Eventually, you know the rhythm of your character, of the set of the piece. It takes less energy for you to hit that point, and then everything resonates. But initially, it takes a tremendous amount of energy. You just hope it's gonna be okay and you don't forget your lines and those cameras.
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So much of my sense of who I am is tied to mothering. When they left home, I fell into a huge, empty, black hole. Your children are grown and your career has slowed down - all the stuff that took up so much attention is gone, and you're left with expansive time and space.
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In my terms, "neurocognitive efficiency" is being able to make smarter, faster decisions on the floor.
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I hope popchips will be the Vitaminwater of the snack aisle.
