Mark Cuban Quotes
Quotes to Explore
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I think my thing is that... I don't know. And that's why I don't wanna sing about 'This is me, this is who I am' because, like, even the question, 'Tell me about yourself' - what are you supposed to say? 'Ooh, I'm a happy girl, but I'm sad, too'? People are so complex.
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I don't suppose anybody's ever enjoyed being who they are more than Arnold's enjoyed being Arnold Palmer.
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I enjoy the sari. I think it's the sexiest garment ever. It shows you the right amount, it covers the right amount, it's extremely versatile, it suits every body type, it suits every face.
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'Make You Miss Me' is an important song to me. Having it go No. 1 as the fifth single off of my first record is the cherry on top of a chapter in my life I'll never forget.
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We all have these places where shy humiliations gambol on sunny afternoons.
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When I'm on stage, I'm quite over the top - I'm quite flamboyant and camp.
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I've not given up having a child. But I hope whatever route of parenthood I choose, whether it's adoption or I'm able to conceive, I just hope that I'm able to give someone as beautiful a life as my parents gave me.
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I'm more of a jeans and T-shirt kind of girl.
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I can have three touchdowns and 200 yards, but if we lose the game, what's it all for?
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I'm always independent. No boss.
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I have made a lot of mistakes raising the four Jenner kids.
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I always wanted to be a stand-up comedian, even as a kid. Me and my dad would watch 'Evening at the Improv' on A&E.
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I do take responsibility for it. I admit to having a problem. I have been to numerous treatment centers.
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I just think that the collective experience of going to see a film is something you can't recreate.
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I pay a lot of tax, and I feel, one of the reasons I stay and pay why I'm not based in Monaco... I think my country helped me.
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Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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If I'm not going to get a part, tell me why.
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I love being in the studio. If I'm at home, I will go to the studio pretty much every day anyway. It's just something that I like to do.
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Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
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When I was in my teens, Yehudi Menuhin, who was at work on his project 'The Music of Man,' introduced me to the great astronomer Carl Sagan. It was Sagan who first opened my eyes to the magnitude of the universe, and essentially to the notion of 'music of the spheres.'
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We are rather apt to consider an act wrong because it is unpleasant to us.
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Maybe that's good to not feel like you have to keep up when there's so much to keep up with right now. It's bottomless.
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Automation is going to cause unemployment, and we need to prepare for it.
