Patrick Stump Quotes
Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
Quotes to Explore
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It is what we do easily and what we like to do that we do well.
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I haven't got a waist. I've just got a sort of place, a bit like an unmarked level crossing.
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The feeling of friendship is like that of being comfortably filled with roast beef; love, like being enlivened with champagne.
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I hate being called an 'icon.' I just don't like it. That's all there is to it.
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Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
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Film has to describe and show.
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I like to grow and experiment, and as an artist, it's about kicking the bar up a little.
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I was convinced in middle school that I invented tight-rolling your pants, because I would get hand-me-downs from my brothers, and of course they were bell-bottoms from the '70s. So I would fold and fold over the bells. I like to think I started the trend. But I didn't.
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If it wasn't for what goes on in the world of politics, we wouldn't really have much of a show.
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Well I love preppy style; I like J. Crew for guys.
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Making fun of born-again Christians is like hunting dairy cows with a high powered rifle and scope.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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I like a sort of androgynous look, but I also love feminine shapes.
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I feel like I'm supposed to be a shooter.
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If bigots behave like bigots, it's not a huge surprise.
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What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or does it explode?
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The infectiousness of crime is like that of the plague.
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I tried being anorexic for four hours, and then I was like, I need some bagels.
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My mustrious lordship, i'll show you what a woman can do.
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One thing I've learned is that I'm not the owner of my talent; I'm the manager of it.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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Juggling many projects and having all these accidental collisions that you can't predict enables a kind of comparative thinking. To focus on a single project from beginning to end is extremely difficult, not just for me, but for many people.
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Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
