Justin Scott (Big K.R.I.T.) Quotes
I think if I wanted to get to a point where I could actually grow in my music, I had to almost step away from sampling so much and start making the kind of music that people wanted to sample.
Quotes to Explore
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If people want to really know what's up with me then they can read one of my interviews.
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I'm always trying to do the impossible to please people. It comes from not being secure in myself and not looking at the things within I have to fix. Sometimes you keep going because you don't want to face the truth.
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We want to believe that we're invulnerable, and that people who get tricked deserve it. Well, they don't. And someday the arrogant types who mock the gullible are likely to get their turn to wear the dunce cap.
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I don't care for the music when they're talking bad about women because I think women are God's greatest gift to the planet - I just like music.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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In a nutshell though, it's just all about opening up to the people that really care about my career and really listening to everybody who is listening to me. It's just made me stronger, to really be able to open up that door and listen to everybody else's opinions.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
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Unlike the stereotypical author, I've never had a job as a short-order cook, but I love cooking hot breakfasts for lots of people, juggling the eggs and the bacon and the tomatoes and the fried potatoes and so on.
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The atom bomb is a paper tiger which the United States reactionaries use to scare people. It looks terrible, but in fact it isn't.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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I never felt at home in London, because people were constantly telling me I didn't belong here, so after a while, you tend to believe that.
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The way you dress or the car you drive or what you spend is to impress other people with how, I guess, successful and rich you are. But you're not, and you shouldn't, and who gives a damn what other people think anyway. So, that mentality, I think, is very destructive.
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I'll fight a bear, but I don't like spiders. I'm not a fan of those.
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I think everyone feels alone in their sadness, and there's a certain value to hearing other people's sad stories.
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For many people, extended reading sessions on an LCD display cause eyestrain.
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I do not suppose that anyone not a poet can realize the agony of creating a poem. Every nerve, even every muscle, seems strained to the breaking point. The poem will not be denied; to refuse to write it would be a greater torture. It tears its way out of the brain, splintering and breaking its passage, and leaves that organ in the state of a jelly-fish when the task is done.
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I think if I wanted to get to a point where I could actually grow in my music, I had to almost step away from sampling so much and start making the kind of music that people wanted to sample.
