Daniel Tammet Quotes
It was a gradual process, realising I was different. I remember at primary school getting a worksheet with sums printed on it. I thought that they must have run out of the right colour inks and sizes for the numbers, because they were all the same, which isn't how I experienced numbers at all. To me, nine is big and blue.

Quotes to Explore
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Let's judge a man on what he's done.
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I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I got fired for giving coffee away. It was just my regulars. I'd say, 'Don't worry about it,' and they'd put down a dollar tip. Technically, I was stealing. Ethically, I was boosting morale!
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I've always been interested in family secrets and what happens behind closed doors. I find that fascinating and creepy - that's why I read: because I want to know other people's secrets.
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I never wrote just straight women's roles. I liked the strong characters. I don't mean women who have masculine qualities about them, but something that has some intestinal fortitude, some guts to it.
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Software-industry battles are fought by highly paid and out-of-shape nerds furiously pounding computer keyboards while they guzzle diet Coke. The stakes aren't very dramatic. Life? Liberty? The pursuit of happiness? Nope, it's about stock options.
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I really was about to pass out during my entire wedding. I just didn't know if I could marry anybody.
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Simplicity is prerequisite for reliability.
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The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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When I began I thought that literature was contained within a bubble that somehow floated above the world commented upon by newspapers. But I became more and more interested in trying to include some of that world within my work.
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I've been in elementary education for years and my belief is that Christmas pageants in schools are little more than conditioning kids for the Christian religion.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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Riches do not consist in the possession of treasures, but in the use made of them.
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In 'The Founders,' his new book about top charter schools, Richard Whitmire traces both the 'revolution' these schools brought about in many American cities as well as a parallel phenomenon, 'the charter pushback campaigns.'
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Christians take Scriptures out of context to try to justify or to vindicate retreat and cowardice.
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Rhetoric completes the tools of learning. Dialectic zeros in on the logic of things, of particular systems of thought or subjects. Rhetoric takes the next grand step and brings all these subjects together into one whole.
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I cannot look at modern buildings without thinking of historical ones.
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You have to cherish things in a different way when you know the clock is ticking, you are under pressure.
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I remember when I cut my hair. I used to have hair to my shoulders. Immediately, people said, 'Oh, but that's the power cut. Now she looks like a man.'
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I am an unpredictable journey.
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It was a gradual process, realising I was different. I remember at primary school getting a worksheet with sums printed on it. I thought that they must have run out of the right colour inks and sizes for the numbers, because they were all the same, which isn't how I experienced numbers at all. To me, nine is big and blue.