Daniel Tammet Quotes
It was a gradual process, realising I was different. I remember at primary school getting a worksheet with sums printed on it. I thought that they must have run out of the right colour inks and sizes for the numbers, because they were all the same, which isn't how I experienced numbers at all. To me, nine is big and blue.
Quotes to Explore
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Let's judge a man on what he's done.
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I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I got fired for giving coffee away. It was just my regulars. I'd say, 'Don't worry about it,' and they'd put down a dollar tip. Technically, I was stealing. Ethically, I was boosting morale!
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I've always been interested in family secrets and what happens behind closed doors. I find that fascinating and creepy - that's why I read: because I want to know other people's secrets.
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I never wrote just straight women's roles. I liked the strong characters. I don't mean women who have masculine qualities about them, but something that has some intestinal fortitude, some guts to it.
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Software-industry battles are fought by highly paid and out-of-shape nerds furiously pounding computer keyboards while they guzzle diet Coke. The stakes aren't very dramatic. Life? Liberty? The pursuit of happiness? Nope, it's about stock options.
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I really was about to pass out during my entire wedding. I just didn't know if I could marry anybody.
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Simplicity is prerequisite for reliability.
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The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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When I began I thought that literature was contained within a bubble that somehow floated above the world commented upon by newspapers. But I became more and more interested in trying to include some of that world within my work.
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I've been in elementary education for years and my belief is that Christmas pageants in schools are little more than conditioning kids for the Christian religion.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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Riches do not consist in the possession of treasures, but in the use made of them.
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In 'The Founders,' his new book about top charter schools, Richard Whitmire traces both the 'revolution' these schools brought about in many American cities as well as a parallel phenomenon, 'the charter pushback campaigns.'
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Christians take Scriptures out of context to try to justify or to vindicate retreat and cowardice.
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Writers have to have a knack for listening. I need to be able to hear what is being said to me by the voices I create.
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Separation is where you see if it works better with the adults in two different homes.
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One of the great pressures we're facing in journalism now is it's a lot cheaper to hire thumb suckers and pundits and have talk shows on the air than actually have bureaus and reporters.
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At first I didn't dig country.
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It was a gradual process, realising I was different. I remember at primary school getting a worksheet with sums printed on it. I thought that they must have run out of the right colour inks and sizes for the numbers, because they were all the same, which isn't how I experienced numbers at all. To me, nine is big and blue.
