Dana Perino Quotes
Quotes to Explore
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If people want to really know what's up with me then they can read one of my interviews.
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The white man made the mistake of letting me read his history books. He made the mistake of teaching me that Patrick Henry was a patriot and George Washington – wasn't nothing non-violent about old Pat or George Washington.
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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Drug manufacturers could afford to sell AIDS drugs in Africa at virtually any discount. The companies said they did not do so because Africa lacked the requisite infrastructure.
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I knew the moment it happened, it was a miracle. I could have been kissing her when she threw up. It would have scarred me for life. I may never have recovered.
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Western countries in particular can today no longer be separated from Muslim societies, because they have them within themselves. They are themselves internally globalized.
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What's really important to me is somebody who can totally let loose and pretty much be themselves and have fun.
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To be shapely when you're in the seventh grade is not exactly what everyone's looking for, or they weren't then, as someone was telling me the other day. now, that's like a really great thing to do, to be, but then it wasn't.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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If you were to ask me what I want to do – I don't want to be a celebrity, I want to make a difference.
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I'm in this band to give volume to various struggles throughout the world. To me, the tension in this band is a minimal sacrifice.
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You can't date if you're famous. That's how it seems to me.
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I would like to spend Christmas in different countries all over the world. I love seeing how different cultures celebrate the holidays in their own unique ways.
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People are very curious and have written a lot of things about me. Right or not. I never comment on those things, because it's not much of my thing to comment on everything that's written about me.
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Stillness as a technique is still really captivating to me.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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I think it would be funny for people to read in obituaries of me that my major contribution to the arts was the popularization of the phrases 'neutral facial expression' and 'screaming in agony.'
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I want to be an inspirational model. I want people to look at me and say, 'Wow, she looks healthy.'
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There ain't no such thing as black Muslims. That's how they tried to cut off all my brothers in the rest of the world and divide us in America and make other Muslims think that we are not with them.We are all the same. I recognise them and they recognise me. I'm invited to all of their homes all over the world and I'm invited to Muslim countries.
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In 1949, I believed that social progress, the triumph of the proletariat, socialism would lead to the emancipation of women. But I saw that nothing came of it: first of all, that socialism was not achieved anywhere, and that in certain countries which called themselves socialist, the situation of women was no better than it was in so-called capitalist countries.
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I have dedicated my life to the 200m, I really love the 200m a lot.
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I had always wanted to tell a story that was set in Los Angeles in the '50s, because that's where I grew up, and it was the city of my childhood memories.
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I've traveled to many countries in Africa, and to me, Benin felt the most hopeful.