Danny Elfman Quotes
I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.
Quotes to Explore
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The art of pictorial creation is so complicated - it is so astronomical in its possibilities of relation and combination that it would take an act of super-human concentration to explain the final realization.
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Home court changes everything. If you have home court, you're expected to win.
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.
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I'm confident in who I am. I've come to a place in my life where I've accepted things that are me, as opposed to feeling pressure to explain myself to people around me. That's just the way I've always tried to be. It didn't change when I became a star.
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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I will always think of myself as that girl that is 22 starting and really excited about everything and wanting to be amazing at everything. I always wanted to be the best stylist. That was it.
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Confidence is key. Sometimes, you need to look like you're confident even when you're not.
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The mutated Marfan gene creates a defective version of fibrillin, a protein that provides structural support for soft tissues like blood vessels. Marfan victims often die young, in fact, after their aortas grow threadbare and rupture.
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If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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I never ever Google myself. That way madness lies.
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I don't even like to talk Lions too much just because the way our relationship ended.
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When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory.
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My grandparents lived in Hollywood, and I was surrounded by the romanticism of movies ever since I was a child.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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My whole mindset in training is to be explosive and fast, and I try not to get too big and bulky.
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To Americans, English manners are far more frightening than none at all.
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I have what is probably the largest big bike collection in the city: a Fat Boy, a sportser Harley Davidson and two Yamahas. All these are 1200cc-plus bikes. Riding these bikes is something I still do and some trekking as well.
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I don't care much about music. What I like is sounds.
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When I'm talking to an artist, I'm not being malicious when I tell them their music is wack. These are artists with mad money and fame so why should they care about my critique?
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I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.
