Abbie Cornish Quotes
Quotes to Explore
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I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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Rossi was the first to describe another system working with valves in parallel; it has the advantage that it can easily be extended to coincidences between more than two events, and is therefore predominantly used today.
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I could see that, if not actually disgruntled, he was far from being gruntled.
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At this point, American workers are pretty respectful of the bosses they loathe.
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I was brought up by the English side of my family, who are very repressed and working class. Absolutely lovely, but very English.
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Over and over I'm on the point of giving it up.
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The point - the power to hurt - of all figures lies in the truthfulness of their application.
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We never see ourselves as others see us.
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In Europe and Sweden, we see boobs on TV, and it's not a big deal. Everyone has them; everyone has seen them.
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If I couldn't see the colors, now that would be a problem.
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You should see all the negative things that the Romanian press writes about me.
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At some point, you decide to take something you really like and turn it into a business you love.
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I'm nearly blind. I can hardly see. But I'm taking some herbs. Something quacky.
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The workingmen have perceived that women are in the field of industry to stay; and they see, too, that there can not be two standards of work and wages for any trade without constant menace to the higher standard.
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I aim to direct as much as I act at some point in time.
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You will always see big, chunky bags around me. I have always been fond of bags. Bags are extremely essential because I keep my books in them.
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Historical methodology, as I see it, is a product of common sense applied to circumstances.
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There's no point considering something which is very unrealistic.
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I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
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We all agree that we've got to bring these terrorists to justice and to make sure that they're never allowed to perpetrate such an evil act as they did. And so all of us are dealing with that. We know that the President has the authority to go to war under the War Powers Act.
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The cool thing is that, unlike film, the theatre roles for women get better and better as you get older.
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Sometimes you know in your heart you love someone, but you have to go away before your head can figure it out.
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I don't see the point in working just to be working.
