Darby Stanchfield Quotes
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
Quotes to Explore
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I kind of like the idea of living a rather ordinary life as a shopkeeper, and I examine that possibility as one of the outcomes of the young Gerald Bostock growing older.
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Ah, sweet Content, where doth thine harbour hold.
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Considering all the legal hassle child stars can be, I won't be surprised when they are phased out by CGI children voiced by adult actors.
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Renouncement: the heroism of mediocrity.
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Today I know that there is still work to be done, but along the way my I am achieving my dreams.
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You can't take yourself too seriously; it's important to poke fun at yourself. Once in a while, it is great to show your inadequacies, too.
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Our defense is in the preservation of the spirit which prizes liberty as a heritage of all men, in all lands, everywhere. Destroy this spirit and you have planted the seeds of despotism around your own doors.
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Everyone should learn to tango in Argentina before they die.
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The fundamental thing about my personality is that I think I'm an imposter.
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We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
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When you're 16, the top of the world is directing a gangster movie.
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The nation is faced with one of the most corporate-orientated anti-consumer Congresses in our history.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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When you're imagining peace, you can't kill anyone. That's good isn't it?
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I have long been interested in exploring and advancing the valuable relationships between the arts and society.
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I live in a constant state of hyperbole.
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I loved the time I got to spend in Denver. My boys, Arin and Ryan, were growing up. I got to spend time with them without being pried upon. There was no public scrutiny. I was free and could take them to the supermarket or to the park without being noticed or looked at.
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Blemishes are hid by night and every fault forgiven; darkness makes any woman fair.
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It's like a puzzle, putting together your individual accent and what you grew up with or what you heard. It must be insane to be a dialect coach, to balance all that out.
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Once I learned to read, I could not imagine my life otherwise.
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What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
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What I feel most strongly here being in Congress is kind of the burden - the good burden - of representing all of our military.
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When I'm making documentaries, I think a lot about how fiction films play. I want them to have the pacing, the twists and the character development of fiction films.
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I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
