Darby Stanchfield Quotes
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
Quotes to Explore
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I kind of like the idea of living a rather ordinary life as a shopkeeper, and I examine that possibility as one of the outcomes of the young Gerald Bostock growing older.
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Ah, sweet Content, where doth thine harbour hold.
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Considering all the legal hassle child stars can be, I won't be surprised when they are phased out by CGI children voiced by adult actors.
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Renouncement: the heroism of mediocrity.
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Today I know that there is still work to be done, but along the way my I am achieving my dreams.
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You can't take yourself too seriously; it's important to poke fun at yourself. Once in a while, it is great to show your inadequacies, too.
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Our defense is in the preservation of the spirit which prizes liberty as a heritage of all men, in all lands, everywhere. Destroy this spirit and you have planted the seeds of despotism around your own doors.
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Everyone should learn to tango in Argentina before they die.
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The fundamental thing about my personality is that I think I'm an imposter.
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I remember sitting in on meetings where everyone in the room was twice as old as I was.
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We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
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When you're 16, the top of the world is directing a gangster movie.
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The nation is faced with one of the most corporate-orientated anti-consumer Congresses in our history.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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When you're imagining peace, you can't kill anyone. That's good isn't it?
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I have long been interested in exploring and advancing the valuable relationships between the arts and society.
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I live in a constant state of hyperbole.
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I loved the time I got to spend in Denver. My boys, Arin and Ryan, were growing up. I got to spend time with them without being pried upon. There was no public scrutiny. I was free and could take them to the supermarket or to the park without being noticed or looked at.
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Typically, when you sell your story rights to a movie production company, they can do whatever they want with it. The writer is typically not involved anymore.
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I wouldn't want to be a talk show host. That's another awkward compliment people make. 'You should have your own talk show.' And I think, no thank you.
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The school I went to was so Gaelic that you learned how to play the tin whistle and how to Irish-dance in class.
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Older actors can still play young, but it's harder for young actors to be able to play that age range.
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The William Morris Agency handled me. In that business, you're only as good as your last picture.
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I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
