Keeley Hawes Quotes
There's nowhere to hide in the theatre. You can't be the one in rehearsal who doesn't know their lines.
Quotes to Explore
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I wanted to go to college and play football.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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There is no ideal body. It's just taking what you have and working it.
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In the country, it feels like you don't have control over nature anymore - nature is in control of you.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.
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I love India.
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Perhaps anti-depressants should be best reserved for the very extreme cases and, more importantly, for those who do not respond to alternative forms of interventions.
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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Hospice is such a tremendous thing. Patients seem to reach an inner peace.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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Facts are to the mind what food is to the body.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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For me, it's an experiment to see what people are gonna think of it.
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Masculinity is not something given to you, but something you gain. And you gain it by winning small battles with honor.
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It's a really good format to have, to go back to theatre and build yourself as an actor. I think it's a great skill to go from screen to stage.
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In a sense, the music business and I haven't always been the best of bedfellows. Artists often have to fight their corner. Your music goes through these filters of record labels and media, and you're hoping you'll find someone who'll help you get your work into the world.
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When people listen to my music, I hope that they will notice that if you take a piece by a composer like Schubert, the major and the minor triad is an extermely important thing not merely as harmony, but in creating melodic lines. Schubert is always walking up and down with arpeggios on C, E, G and so forth. I am not doing anything different really, except using a different system of harmony.
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There's nowhere to hide in the theatre. You can't be the one in rehearsal who doesn't know their lines.
