Darrell Issa Quotes
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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You can never plan the future by the past.
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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My works are an imitation of my own past and present.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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The same way one tells a recipe, one tells a family history. Each one of us has our past locked inside.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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Anniversaries are like birthdays: occasions to celebrate and to think ahead, usually among friends with whom one shares not only the past but also the future.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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The modern museum has multiple purposes - to curate and preserve, to research, and to reach out to the public. They challenge us and ask us to question our assumptions about the past or the world around us.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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I don't connect much with the present. I have more of an affinity for what came in the past.
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The best compliment we ever got about the show was from a Korean veteran who was unable to talk about his war experience with his wife until 'M*A*S*H.' While watching the show, he was able to lean over to his wife and say, 'See, honey, that's the way it was.'
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One of the most unsettling things about 'Monologue' is its long silences, in which the man sits alone, staring into the middle distance, without grip of his narrative, lost to the past.
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Mix-tapes are something that have been going on for a while. They've been pretty important to hip-hop for the past 10 years. It's the way we advertise our music to the public for free.
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One of my favorite feelings is the sense I get from pouring over parts of my past before lighting them up and leaving it all behind me to start over again.
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Nothing in your past is in your present making you do anything you don't choose to do. You are not your past history! You are not your past failures! You are not how others have at one time treated you! You are only who you are and what you do now in this moment.
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People don't realize that now is all there ever is; there is no past or future except as memory or anticipation in your mind.
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I'll never stop dreaming that one day we can be a real family, together, all of us laughing and talking, loving and understanding, not looking at the past but only to the future.
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But it is true that some magazines have a policy to show only a certain amount of black girls on their covers. Naomi is right. It's not fair, and I wish it would change.
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I've always felt like the underdog, and I'm comfortable with that label.
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I can see a scene in my head, and when I try to get it down in words on paper, the words are clunky; the scene is not coming across right. So frustrating. And there are days where it keeps flowing. Open the floodgates, and there it is. Pages and pages coming. Where the hell does this all come from? I don't know.
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I am fifty years old and I have never known what it is to love. I can write those words, know them to be true, but feel only the regret that a tone-deaf man must feel because he can't appreicate music, a regret less keen because it is for something never known, not for something lost.
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Everyone has a past.
