Darrell Issa Quotes
Quotes to Explore
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The mind moves in the direction of our currently dominant thoughts.
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I don't have a daily routine, beyond brushing my teeth. It changes every day.
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When you were a kid, a day was a long time and a year was a long time.
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Once I got married, I started working from an office. I found that having somewhere to go that isn't my house is mentally helpful: 'This is the place where I answer email and write blog posts,' and 'over there is the place where I do the dishes.'
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I have an iPod, but I put my music in it from my CDs, and then I have that CD in my library.
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My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
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I'm a big foodie and would love to indulge in such things. I've been to many restaurants in the city, and although I can't eat often, I know what's available where.
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First of all, I'm not the kind of guy that likes to rehash the show and so forth and so on.
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Everybody with a gun has a checkpoint in Lebanon. And in Lebanon, you'd be crazy not to have a gun. Though, I assure you, all the crazy people have guns, too.
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Most people live in the city and go to the country at the weekend, and that's posh and aristocratic, but actually to live in the country and come to London when you can't take it any more is different.
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I think the most expensive thing I've bought thus far is my Rolex.
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If people knew how KFC treats its chickens, they'd never eat another drumstick.
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Their chief residence was Bagdad, where they remained until the eleventh century, an age fatal in Oriental history, from the disasters of which the Princes of the Captivity were not exempt.
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I don't like traditions, I am very personal, very independent, I don't like intimate ladies, I mean in German lieder there's a lot of copy, a lot of imitation, a lot of tradition, and this I have put it aside.
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I am from Karnal, India.
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Sarcasm helps me overcome the harshness of the reality we live, eases the pain of scars and makes people smile.
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The surface is all you get of me.
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My aunt took me to see 'Salad Days' when I was seven. This story of a magic piano that infects everyone who hears it infected me, too. It was a Road to Damascus moment in my life.
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I sometimes question whether journalists here are being asked to take up roles that are not ours. I get calls from people complaining that their telephone is out of order or that electricity is cut, and I sometimes wonder why don't they call the telephone or electric company.
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Words contract a significance which clings to them long after the condition of things to which they owe it has passed away.
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In my teenage years I was put off the idea of a career in flying, because I'd convinced myself that you had to be a boffin with degrees in maths and physics, which were my weakest subjects.
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In the days following 9/11, when we were reeling and disoriented, there was a kind of solace to be found in old recordings, and even pseudo-folk singers like James Taylor seemed to be safeguarding something, drawing back bygone days.
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The history of art is not just the history of artists; it is also the history of the people who viewed art. And that wider perspective can help us see some of the reasons why the art of the ancient world should still matter to us.
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My brother went on to have a long and sordid career.
