Nancy Gibbs Quotes
When I was coming out of college, storytelling was very much something you did with pencil and paper, so the technological platform versatility, I think, is really valuable.
Quotes to Explore
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Well, I think a lot of people just want to be famous.
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It's a fact that kids watch TV. But if you think back, when you watched cowboy movies, you would go out and play cowboys. TV and movies motivate people.
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I think that a lot of guys reach for electronics first, but the truth is that you can never keep up with electronics. You buy a flat-screen TV, and then six months later, there's one that has 3D and Blu-ray and all this business, and that is just going to keep continuing.
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I think it's a natural human tendency, when you read something, you tend to read a lot of your prejudices into it. And neuroscience is like a lot of disciplines - it has fashions; things change.
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I think that everyone should be able to dribble. Everyone should be able to pass. Otherwise, why are you out there?
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No, I don't think my generation got into this dinosaur thing.
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Violence is literally the glue of the cycle of life, and yet I think that we're the only species that does it maliciously.
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I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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You know, I have a lot of books on my iPad, but when I try to read them, I find myself wandering off to play games. Those are books I'm interested in. I can't imagine what would have happened to me in college if my biology class had been on the same computer as 'Words With Friends' and 'Doom.'
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I think I've become more modest as the years have gone on.
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Instead of assuming that emotional intelligence is always useful, we need to think more carefully about where and when it matters.
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I think people look at me and don't expect much. Even though, I expect a whole lot.
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Oracle is my second job ever that did not involve waitressing. But I still have my waitress apron just in case this does not work out. It's just that I fell in love with software when I was programming in college. When I was an investment banker, there were mostly mainframe companies and very few software ones.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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I play tons of authority figures, whether it's the dad or the cop or the boss. I think it's a combination of how I look, who I am.
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I think poetry's always a kind of faith. It is the kind that I have.
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There are something like 300 anti-genocide chapters on college campuses around the country. It's bigger than the anti-apartheid movement. There are something like 500 high school chapters devoted to stopping the genocide in Darfur. Evangelicals have joined it. Jewish groups have joined it.
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'Sucker Punch' is a big girl power movie.
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With Crazy Horse, it's all one big, growing, smoldering sound, and I'm part of it. It's like gliding, or some sort of natural surfing.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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My first hero, as a teenager, was James Connolly. I remember discovering that he was a feminist, and that was an eye-opener, coming from a man of such poverty.
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When I was coming out of college, storytelling was very much something you did with pencil and paper, so the technological platform versatility, I think, is really valuable.
