Nancy Gibbs Quotes
I live in a dumb house. Which is not to say that I don't love its quirky charm, its drafty windows and leaky fireplaces and an electrical system that protests when too many people are trying to vacuum and microwave at the same time. But charm is not always user-friendly.
Quotes to Explore
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I took my acting very seriously. I did over 40 films, and naturally, some of them were called B-movies because the woman was at the top of the billing. Women couldn't star in their own movies.
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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I grew up watching Super J-Cup tournaments and things like that, and those were pretty cool.
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For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.
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Deep down, I never wanted to see Mourinho fired. We experienced some very beautiful things together in 2015.
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Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.
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Give a boy address and accomplishments and you give him the mastery of palaces and fortunes where he goes.
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Regulators are a backstop: they don't own banks. The governance at the top of our leading banks has been shown to be lamentably weak. No one at the top of Barclays will take responsibility for systemic abuse.
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The first complaint we hear from everyone is: 'Why would I want to join this stupid useless thing and know what my brother's eating for lunch?' But that really misses the point because Twitter is fundamentally recipient-controlled - you choose to listen and you choose to leave. But you also choose what to put down and what to share.
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There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
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I got done writing Ports of Call and suddenly realized I have far too much material for the book.
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Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done.
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When you write for a comic series, many superheroes have 60 or some years of history that you are coming into.
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My family didn't have any money growing up. I'm just a girl from the ghetto; from Indio, California.
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What works for a man, still does not work for a woman - both in terms of how they see themselves and how we see them.
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Fallible characters are more interesting than superheroes in the end.
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I have a very rich and wonderful personal life, and at its core are my sons.
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Food is available, but it cannot be shipped into an area, so the people in that area suffer the consequences.
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Colors, like features, follow the changes of the emotions.
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I don't see myself as the Hunk of the Month.
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I spent a lot of time at my grandparents in the school holidays, and the only books in the house were a copy of the Bible and Agatha Christie's 'Murder at the Vicarage.' I developed a taste for murder mysteries and then later discovered libraries, second-hand bookshops, and jumble sales.
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There was a writer in the '20s called Christopher Morley, who I remember a little bit of, who had some influence on me, but I couldn't tell you what it was.
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Take a camel.
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I live in a dumb house. Which is not to say that I don't love its quirky charm, its drafty windows and leaky fireplaces and an electrical system that protests when too many people are trying to vacuum and microwave at the same time. But charm is not always user-friendly.
