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When I did 'Sex and the City,' it was like, 'Let's do a comedy where the humor is not coming from innuendo but from the a truthful place. This is a show where we're going to be able to say and do what we want.'
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The idea of viewers getting invested in a series is that you're getting invested in the reality of these characters' lives that, in fact, don't have an ending.
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Cable's on fire. Traditional broadcast TV's hearing a death knell. I sample as much television as possible. I like 'Homeland,' 'Game of Thrones,' 'Veep.' Now reinvention's important.
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Adversity creates comedy.
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I grew up feeling Israel is very important, and I'm very supportive of Israel. At the same time, I think you can be really supportive of Israel and not look at it as a black-and-white situation.
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When I brought 'Sex and the City' to HBO, I wanted to do something independent, where I could be like, 'I don't care if anybody watches this thing. Just let me do something that I would love to see.' Honestly, the success of 'Sex and the City' was what was most surprising to me. It was sort of like the anti-TV-show in my mind.