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To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise.
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But there was something psychological happening there that was just a little bit different. And the other thing was, there was no stigma. Kids weren't going into the 'Center-for-Kids-That-Need-More-Help' or something like that. It was 826 Valencia.
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We’d have a motherfucking shitload of dogs! Horses. Peacocks. Oh to live among peacocks. I’d seen them once in person and they defied so many laws of color and gravity that they had to be made geniuses waiting to take over everything.
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I really believe strongly that kids should be spared the runoff of their parents' lives and problems.
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Because I grew up with this naive expectation of people doing right, I get shocked by every little violation.
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Hand took a breath and opened his palms, as if accepting the gift of rain. 'YOU SHALL KNOW OUR VELOCITY!' he bellowed into the cold exhausted city.
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The idea of 'Voice of Witness' is to let survivors and witnesses of human-rights abuses tell their story at length. It started with a course that I co-taught at U.C. Berkeley journalism school back in 2003.
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The only thing that everyone needs to look out for is keeping the students reading through high school and thereafter.
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So this is the space during tutoring hours. It's very busy. Same principles: one-on-one attention, complete devotion to the students' work and a boundless optimism and sort of a possibility of creativity and ideas.
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Some of these kids just don't plain know how good they are: how smart and how much they have to say. You can tell them. You can shine that light on them, one human interaction at a time.
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High school teachers who want to get reluctant readers turned around need to give the students some say in the reading list. Make it collaborative: The students will feel ownership, and everyone will dig in.
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‘Listen John-’ ‘Who’s John?’ ‘You’re John.’ ‘I’m John?’ ‘Yeah, I changed your name.’
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I think there's a future where the Web and print coexist and they each do things uniquely and complement each other, and we have what could be the ultimate and best-yet array of journalistic venues.
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I'm an amateur science enthusiast. I'm not even a professional enthusiast. I don't know anything; I never even passed biology in high school. But I read the science section of the newspaper.
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I am sorry Chris is late this morning. I could make something up about an appointment or a sickness, but the fact is that we woke up late. Go figure Best, Brother of Toph.
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I went to public school all my life and all through college and I liked it.
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Tim O'Brien's book about Vietnam, 'The Things They Carried', has won every award, is studied in college and is considered to be definitive. But it's fiction.
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I've purposely stayed away from reading much about postmodern theory, and most everything I have read just bored me to tears. I don't think anybody's written about it, or very few have, with any verve.
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It's not that our family has no taste, it's just that our family's taste is inconsistent.
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I went to Saudi Arabia in 2010, and spent most of my time in Jeddah and the King Abdullah Economic City.
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I'm interested in the human impact of the giant foot of misplaced government. After all, we encounter it every day.
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'Most people would trade everything they know, everyone they know - they'd trade it all to know they've been seen, and acknowledged, that they might even be remembered/ We all know we die. We all know the world is too big for us to be significant. So all we have is the hope of beign seen, or heard, even for a moment.'
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I've never had WiFi at home. I'm too easily distracted, and YouTube is too tempting.
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What are we allowed to do when we’re looking for things we’re required to do?